Review
Mariachi El Bronx
IV

ATO (2026) Loren

Mariachi El Bronx – IV cover artwork
Mariachi El Bronx – IV — ATO, 2026

As I review Mariachi El Bronx's latest album, IV I'm not going to pretend I'm well-versed in the deep cultural tradition that inspired The Bronx to adopt this project well outside of their fiery hardcore "main project." Instead, I'll grade it on "do I like it" merits. And I definitely dig the rhythmic and festival Latinx flavors.

If you're familiar with the band, or the style of music, the new album is no surprise. Expect a lot of violin, accordion, and other instruments, with soft story-style lyrics that tackle themes of sword fighting, romantic entanglement, town drunkards, and more.

"Bandoleros," "Songbird," and "RIP Romeo" are among my personal favorites. "The Takers" is a nice change of pace track -- which is a trait I should highlight because the key to any genre-specific record is making sure it doesn't all sound the same from start-to-finish. Every Mariachi El Bronx record has featured strong sequencing and variety, which I think is a big accomplishment and highlights how the band takes this project seriously. "El Borracho" is probably my least favorite track, largely because I find this specific kind of story-focused lyricism is often great the first time you hear it, but repeat listens fail to capture the same level of interest.

The 12-song album is really consistent from start to finish and it fully captures a festive yet thoughtful mood that can work as a brunch soundtrack or pre-party prep jams. It's layered, just like the instrumentation behind these tracks. I'll say this ranks right up there with III, which they released back in 2014.

While I sometimes complain about punk bands that actually sing, it's quite the opposite with the mariachi style. Punk music, for me, is supposed to be rough and a little abrasive. As the band turns to mariachi, the smooth tones of Matt Caughthran are a big part of why this works. It's ultimately the musicianship and rhythm that defines it, but it's not hard to imagine some other punk band trying this with an emphasis on harmonies to mask vocal limitations. Mariachi El Bronx works best because it feels so comfortable in its own skin.

8.0 / 10Loren • February 7, 2026

Mariachi El Bronx – IV cover artwork
Mariachi El Bronx – IV — ATO, 2026

Related news

Mariachi El Bronx up the coast

Posted in Tours on February 26, 2026

Mariachi El Bronx IV

Posted in Records on November 6, 2025

The Bronx + Mariachi El Bronx megashow

Posted in Shows on October 21, 2020

Recently-posted album reviews

Kyle Burnett

Glory Days
Syrup Moose Records (2026)

There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more

Rufio

From The Outside
Double Felix Records, Double Helix Records (2026)

“Rufio?! Like from back in the day Rufio?” Those were the words out of my mouth while claiming my next review. I wore out Perhaps, I Suppose as a teenager and my curiosity piqued. It has been 25 years since that album was released and 16 years since we have heard from Rufio at all. Regardless of these facts, we … Read more

Oddfellows

Oddfellows
Dirtnap, Wild Honey Records (2026)

The self-titled album from Oddfellows was a long time coming. As in, the band formed in 1994. Now in 2026, they return with founding members Chris Pulliam, Mark Ryan, and Mike Throneberry, plus new addition Peter Salisbury to release their debut album just 32 years later. This lineup means you're going to get a Marked Men reference right away, but … Read more