Review
Marilyn Manson
Heaven Upside Down

Loma Vista Recordings (2017) Kevin Fitzpatrick

Marilyn Manson – Heaven Upside Down cover artwork
Marilyn Manson – Heaven Upside Down — Loma Vista Recordings, 2017

It's a different world than when Manson made his debut over two decades ago and scared the shit out of everyone. He scared us because things felt relatively safe and calm. He was like a monster scaring a child out of the peaceful tranquility of their bed. Now that things are fucking bananas and chaos reigns and we know exactly where the monsters hide, there's something decidedly less scary about a guy that shaves his eyebrows.

See, Marilyn Manson is like Lady Gaga

<cough>

The point being, when you strip away all the lunacy and the shtick, there's real talent underneath. Talent that can sometimes get lost in all the meat dresses and Satanic pulpits. 

Heaven Upside Down is Manson's tenth album and I don't think anyone, including him thought that he would still be around over 2 decades later. What's the secret to his longevity? "Everyone loves a villain" is too easy an answer. And it's also not that simple. Marilyn Manson is still around because he's talented. And Heaven Upside Down is proof positive that he can still deliver the goods. 

Coming off the acclaimed Pale Emperor album, Heaven Upside Down is a bit of a throwback to earlier Manson. Perhaps even as far back as Portrait of An American Family. There's a more caustic, less polished vibe to this album that gives a tune like "We Know Where You Fucking Live" an extra dose of venom and malevolence that's been missing from the band on the last couple albums and the seven-minute epic "Saturnalia" is a reminder that the man can still give us the heebie-jeebies when he wants to.

Marilyn Manson – Heaven Upside Down cover artwork
Marilyn Manson – Heaven Upside Down — Loma Vista Recordings, 2017

Related news

Chris Vrenna departs Marilyn Manson

Posted in Bands on November 24, 2011

Slayer / Marilyn Manson US Tour

Posted in Tours on March 27, 2007

Recently-posted album reviews

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more

Fangus

Emerald Dream
From The Urn Records (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more

Drakulas

Midnight City
Dirtnap, Wild Honey Records (2026)

I’m assuming Midnight City is the “fictionalized New York-esque metropolis” where the band/gang members of Drakulas survive(d in the mid to late 70's;). It’s also the third album by this Austin TX based, concept driven supergroup. Not really sure if I’m supposed to out these dudes but their secret identities include members of Riberboat Gamblers, Rise Against, High Tension Wires … Read more