Review
McLusky
Difference Between Me and You is That I'm Not on Fire

Too Pure (2004) Ryan

McLusky – Difference Between Me and You is That I'm Not on Fire cover artwork
McLusky – Difference Between Me and You is That I'm Not on Fire — Too Pure, 2004

Super producer of such illustrious bands as McLusky, Nirvana, and Bush, (SERIOUSLY STEVE WTF?) Steve Albini recently said that McLusky is the best band working in England right now. Yeah, that may be his characteristic bravado and showmanship, but it also may be pretty close to the truth. On their third full length, The Difference Between Me and You is that I'm not on Fire, McLusky abandons the super spazz and freak-out levels that made them so lovable on Do Dallas.

Though the album starts off very promising as "Without MSG I am Nothing." ramps up the distortion, and a rather catchy hook. The song as a whole leads up to a full onslaught of distortion and screaming. This is a very promising start to the album, much like "Lightsabre Cock Sucking Blues" was to Do Dallas. After this, the excitement slows down considerably for some reason. Many songs take on drone influences, staying rather slow and contained.

The lyrics tend to stay away from joke lyrics and focus on actual attempts at song writing. "1956 and All That," previously released on the There Ain't No Fool in Ferguson EP ,) discusses the effects of war. Then the modern day fairy tale "That Man Will Not Hang" follows in similar fashion. That's not to say there are no flat out fun songs, though. The aforementioned "Without MSG I am nothing," and the later song "Forget About Him, I'm Mint," (and, if you haven't noticed by now, but these guys have some of the greatest song titles of the year) are both fun songs that are great sing alongs. Scream with lead singer Andrew Falkous "Everywhere I wanna travel by Xwing!" and simply realize there is nothing of importance in some songs. With that said, the lyrics are probably the biggest improvement made by the band.

The album as a whole is very subdued, and lyrically serious. The whole notion of this being subdued and serious may sound strange, because it really is a lot distorted and spazzier than many other things out there. After listening to Do Dallas, though, it is possible to understand the full possibility and range of these guys - Pixies comparisons not withstanding. Simply stated, as I was waiting for this album, I was expecting something that would make me scream and freak-out and eat babies. While there are some attempts at this, it is just far too constrained and mature to make me want to eat babies.

7.4 / 10Ryan • May 17, 2004

McLusky – Difference Between Me and You is That I'm Not on Fire cover artwork
McLusky – Difference Between Me and You is That I'm Not on Fire — Too Pure, 2004

Related news

even more new mclusky

Posted in Records on February 5, 2026

mclusky across america

Posted in Tours on September 13, 2025

GY!BE & more finalize ARCTANGENT lineup

Posted in Shows on May 22, 2025

Recently-posted album reviews

Burned Up Bled Dry

Next Stop… Dead Stop…
Prank (2026)

There’s no easing into Next Stop… Dead Stop… No buildup, no warning just impact. Fayetteville, Arkansas’ Burned Up Bled Dry return from decades of dormancy with a debut full-length that feels less like a comeback and more like a long-awaited detonation. Formed in 1996 and tied to that gnarlier mid-south hardcore lineage alongside bands like His Hero Is Gone and … Read more

Blue Ash

Dinner At Mr. Billy’s
Peppermint Records (2026)

Most people treat the Blue Ash story like a collection of "almosts" and they are sure missing the point.Almost famous, almost signed, almost the American Beatles. Forget that, erase that fable from your feeble grey matter. Dinner at Mr. Billy’s—straight from the Peppermint Productions vaults—proves they weren't just "lost" contenders. They were the engine room of the Rust Belt. While … Read more

Luxury Teeth

DCxPC Live & Dead, Vol. 3
DCxPC Live (2024)

There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live & Dead, Vol. 3 captures Luxury Teeth in two very different settings and more importantly, shows that neither version feels like a compromise. Side A, the “Live” portion, was recorded at the Ottobar in Baltimore while opening for GBH, and … Read more