Review
North
The Great Silence

Cavity (2012) — Sarah

North – The Great Silence cover artwork
North – The Great Silence — Cavity, 2012

I have to say, this one particular album took a while to grow on me. But it soon struck me that the new release from Tuscon, Arizona-based and strangely antithetically named post-metallers North was more than just another Isis or Cult of Luna styled sludge metal album. The Great Silence, I had to admit, was strikingly beautiful and deeply satisfying through and through. Here's why:

The biggest point in favour of this album is that it has much more variety and spice than your average sludge/post-metal album, and that's saying a lot of something, given that most post-metal bands are content to replay the same type of music over and over without embellishment. Over the course of an hour, The Great Silence moves from low, distant drones to huge, bellowing displays of guitar, and about twenty different styles in between. North never seem to do the same thing twice--there's always a curveball or a new trick to keep you guessing until the very end, all of it executed impeccably.

Take the opening belch-like, gutturally melodic vocals of “Sentience”: coupled with the atmospheric drumming and guitars, the entire effect is nothing short of disconcerting, leaving you unsure exactly where the band is going to proceed to. Then there are the disorienting complex-time sections, like during the march-like "Inanimate Fathers" or the half-waltz "Paradox", that seem to bring so much intensity and expressiveness to an otherwise slowly-paced album. "Pulse" feels triumphal and gratifying, as if Explosions in the Sky suddenly went metal, yet the dirge "Patience" feels much more depressingly melancholic and contemplative. The female vocals in "Origins" come out of absolutely nowhere, a surprise that's both novel and effectively shocking against such an unpolished background. And, of course, the big-ass closing epic "Où est Tout le Monde?" is just fantastic through and through.

Sure, at the end of the day, North aren't bringing anything staggeringly new to the genre, but who cares? They pull of the this album so splendidly and proficiently that it doesn't really matter. They like what they're doing and they're doing it well, and that's the most you could really hope for. It's not the next Oceanic or Somewhere Along the Highway, but it's enjoyable and even cathartic.

North have twisted new life into post-metal, infusing the genre with a fresh burst of creative composition and unusual energy. The Great Silence is deeply satisfying, and will undoubtedly scratch that sludgy itch to your satisfaction. 

Recommended if you like: early Baroness, The Ocean, A Storm of Light

8.5 / 10 — Sarah • February 26, 2013

North – The Great Silence cover artwork
North – The Great Silence — Cavity, 2012

Related features

Northeast Regional

One Question Interviews • April 12, 2023

Northless

One Question Interviews • July 16, 2018

Shilpa Ray

One Question Interviews • February 3, 2018

Related news

Wolves in the Throne Room in North America

Posted in Tours on October 10, 2026

Death Cab For Cutie crossing North America

Posted in Tours on September 23, 2026

Northeast Regional In The Desert

Posted in Records on February 21, 2026

Recently-posted album reviews

Drink Deep

In Reverse EP
Thirty Something Records (2026)

Upon first listen, those close to my age and who may share similar musical tastes may suspect that Drink Deep might be a band from Washington, D.C. For starters, the band takes its name from a Rites of Spring song, wears its influences on its literal sleeves (a brief glance at their social media presence will reveal members wearing official … Read more

Uncle Acid and the DeadBeats

Shapes of Midnight
Killer Candy Records (2026)

Stoner rock is one of the most astounding and incredible genres emerging in the rock scene today. It's a global phenomenon with countless bands across the world, plus various subgenres such as desert rock, stoner doom and psychedelic (heavily influenced by the original psychedelic bands of the '60s and '70s). At the forefront of this genre and in the vanguard … Read more

Various Artists

Tightwire / Canadian Rifle - Nietzsche
Red Scare Industries (2026)

Available in a black and white print gatefold sleeve, this is a 2-band, 6-song split 7". The gate fold is a nice touch to a classic split 7", complete with full lyric sheets. When the needle hits it's cleanly produced pop-punk in the vein of Lookout Records, built on crisp melodies and harmonies. While it's bright and sunny in sound, … Read more