Review
O Pioneers!!!
Neon Creeps

Asian Man (2009) Loren

O Pioneers!!! – Neon Creeps cover artwork
O Pioneers!!! – Neon Creeps — Asian Man, 2009

With their Asian Man debut, Neon Creeps, O Pioneers!!! is trying to make a name for themselves while upping the ante on stupid punctuation in band names. What I hear is a sloppy three-piece punk band with hints at a more minimal and sometimes folk-punk style. I call them a three-piece, but the band is clearly Eric Solomon's baby, as there has been a rotating rhythm section since the band's inception in 2004, with turnover as recently as the recording of this record.

My first thoughts on the opener, "Saved by the Bell Was a Super Good Show," was a sloppy, No Idea beard punk. At times, Solomon's voice reminds me of North Lincoln with a bit less vocal melody to it. However, the record quickly slows down and simplifies. After some guitars that remind me of

Trail of Dead on "The Architect of Disney World," things shift with "Dead City Sound." The song sounds like The Riot Before, including its name, but it loses a lot of energy on the breakdowns. Where it differs from The Riot Before is that when the band turns toward a minimal sound there is a focus on the bass and drums, whereas the comparing band tends to use a lot of guitar and strong vocals. Unfortunately, I don't find the content of O Pioneers!!! to be nearly as interesting and it doesn't work very well with such an approach. The delivery in "9 A.M. Everyday" and "I Have a Major Weightlifting Problem" is dreary and repetitive - fitting for the depressed lyrics, but it's not easy on the ears either. Several of the songs are sung in a tell-it-as-it-is manner that doesn't really offer any insight. In these, Solomon's approach is simple, relatively ugly (his voice isn't exactly pretty), and to the point. They're also my least favorite tracks. Things are a little more interesting when they vary their approach, as in the first two songs. The middle is too samey and has trouble maintaining its energy. When you hit the surf-garage intro to "I Told You So," the tempo is striking after several lackluster tracks.

The lyrics contain a lot of references to moving on, social pressures, managing stress, and that old "I'll never fit in" theme that appealed to me when I was a Bouncing Souls-listening teenager. The song titles do the long-winded, humorous-but-relevant thing.

Generally speaking, I like O Pioneers' sound in smaller doses but Neon Creeps is too redundant. Considering the price, this album wouldn't be a bad purchase, but it's far from essential and I hope for more consistency in future releases.

6.8 / 10Loren • April 27, 2009

O Pioneers!!! – Neon Creeps cover artwork
O Pioneers!!! – Neon Creeps — Asian Man, 2009

Related features

Tiny Empires

One Question Interviews • December 2, 2013

Related news

1QI: Mamiffer, Burning Love, The Hussy, Tiny Empires

Posted in Bands on September 19, 2013

O Pioneers!!! final tour, downloadable discography

Posted in Splits on November 22, 2011

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more