Review
Oren Ambarchi
In the Pendulums Embrace

Southern Lord (2007) Kevin Fitzpatrick

Oren Ambarchi – In the Pendulums Embrace cover artwork
Oren Ambarchi – In the Pendulums Embrace — Southern Lord, 2007

When I hear this album I smell dust. It might not make sense to you, or to me for that matter, but it is what it is. Some albums, particularly in the ambient vein, take me to strange places that can be either outside or inside. Oren Ambarchi takes me to the attic that I haven't been up to in years. The attic where even as a grown man looking at old boxes of photographs or other such things, there's a feeling of unease brought on me by such a place and all of a sudden I am eight years old all over again. In the Pendulum's Embrace caught me off guard for a number of reasons. I won't lie to you, when I first heard this album, my initial reaction was, "What the fuck is this doing on Southern Lord??" Such a reaction, of course is bred in pure, impulsive ignorance.

So I listened to the album again and understood a bit more about how it could be on such a label as Southern Lord. I could tell that I was beginning to like it, but I still wasn't sure why I liked it. Then, a little bit into the third listen it came to me, "Oh yeah, the attic," and it all became more clear. There's a plethora of instruments at work here: strings, guitars, bells, and glass harmonica. All doing well to serve Ambarchi's end.

I hadn't heard of Ambarchi beyond his previous work with Sunn 0))) so I was interested to see what he comes up with on his own. What he creates is soundscapes, but not in the new age sense of the word. What In the Pendulum's Embrace consists of is three songs lasting a total of forty minutes that, assuming you're in the right frame of mind (that is to say open) will find your "place" that it takes you to (whether you call it "trance" or whatever) and when you're finished you'll feel unnerved yet somehow refreshed, most likely initially unaware of where the last forty minutes went.

Some of you may read this going "Jesus, who the hell wants that?" But Ambarchi reminds us that music can first and foremost be an experience, the ultimate form of escapism. Sure, where we escape to is in the ear of the beholder but that's just all part of the fun.

Oren Ambarchi – In the Pendulums Embrace cover artwork
Oren Ambarchi – In the Pendulums Embrace — Southern Lord, 2007

Related features

Oren Ambarchi

One Question Interviews • January 27, 2014

Related news

Recently-posted album reviews

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more