One man project by Portland's Phil Spirito, who evidently has a lot of musician friends that helped out with this recording. Sparse, subtle arrangements are the norm for this outing. If I had a dream about this record, I would think it is either Tom Waits or Neil Young crashing an Alan Lomax recording session. Apparently there is such a thing as a tenor banjo. Who knew?
Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited vinyl for Record Store Day. Given that it came shortly before the release of Blood, Guts & Pussy, it's no surprise that it's heavy on songs from that record (10 of 14, if I've counted correctly). It's more primal than … Read more
Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more
Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more
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