Review
Oruga
Blackened Souls

Apathia Records (2014) — Cheryl

Oruga – Blackened Souls cover artwork
Oruga – Blackened Souls — Apathia Records, 2014

Oruga’s sludged out sound is deep, dirty and disgusting and the French quintet move through massive pits of despair to crawl through the filth and head towards the inevitable end of debut full length Blackened Souls. Their sound has slowly been evolving since the release of a well-received demo in 2010 and with orthodox or post-black metal being more the type of music found to come from France, Oruga stand far apart from their countrymen in their expressions of anguish. Vocalist C twists his voice around slow, mournful progressions that switch from laid back guitars to ramped up, fast-paced inflections during the monolithic torture of “Dead Among The Living” before “Disciples” takes things right back to doomed territory and the promise that “…death is everything.”

Oruga aren’t giving us anything new here in terms of sound and style but their execution is tight and their passion drips with intent from their words. “Cursed” hides a deadly groove that slowly gives way to gorgeous and atmospheric movements that turn the song into something much more interesting and show that Oruga are able to push past any constraints the genre might have and instead work new paths of magic into the sound of Blackened Souls.

7.0 / 10 — Cheryl • December 31, 2014

Oruga – Blackened Souls cover artwork
Oruga – Blackened Souls — Apathia Records, 2014

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more