Review
Oruga
Blackened Souls

Apathia Records (2014) Cheryl

Oruga – Blackened Souls cover artwork
Oruga – Blackened Souls — Apathia Records, 2014

Oruga’s sludged out sound is deep, dirty and disgusting and the French quintet move through massive pits of despair to crawl through the filth and head towards the inevitable end of debut full length Blackened Souls. Their sound has slowly been evolving since the release of a well-received demo in 2010 and with orthodox or post-black metal being more the type of music found to come from France, Oruga stand far apart from their countrymen in their expressions of anguish. Vocalist C twists his voice around slow, mournful progressions that switch from laid back guitars to ramped up, fast-paced inflections during the monolithic torture of “Dead Among The Living” before “Disciples” takes things right back to doomed territory and the promise that “…death is everything.”

Oruga aren’t giving us anything new here in terms of sound and style but their execution is tight and their passion drips with intent from their words. “Cursed” hides a deadly groove that slowly gives way to gorgeous and atmospheric movements that turn the song into something much more interesting and show that Oruga are able to push past any constraints the genre might have and instead work new paths of magic into the sound of Blackened Souls.

7.0 / 10Cheryl • December 31, 2014

Oruga – Blackened Souls cover artwork
Oruga – Blackened Souls — Apathia Records, 2014

Recently-posted album reviews

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more

Faulty Cognitions

Somehow, We Are Here
Cercle Social Records (2024)

The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that it has more of a Replacements thing going on … Read more