Review
Pat Metheny
Side-Eye NYC (V1.IV)

BMG (2021) Robert Miklos (Piro)

Pat Metheny – Side-Eye NYC (V1.IV) cover artwork
Pat Metheny – Side-Eye NYC (V1.IV) — BMG, 2021

I’m inclined to believe that anyone even just vaguely familiar with the fusion area of jazz has heard of Pat Metheny. Practically one of the legends of the genre, there’s nothing I could really say here to aptly summarize Metheny’s nearly five-decade career, nor add. It’s pretty obvious that in such cases there’s no critique to pass, or rather, no relevant critique.

Side-Eye NYC (V1.IV) is the title of Metheny’s latest work and it’s a live album. I’ll start out by raving a little about the production. It’s absolutely stellar. Jazz is generally renowned for spectacular production value and one of the greats being on display here also adheres properly to that. There’s nothing to poke at, the percussion is warm and perfectly articulated, the leads are smooth and present, while the low-end backbone is supporting everything neatly. It’s simply ear candy.

As for the music itself, it’s fairly easy going if you’re not paying attention. The laid back tonal qualities will leave the impression of a lounge type record. Quite the contrary, it’s definitely a record you need to actively listen to as it’s packed with tons of details and nuance. It’s a lot of fun to listen to and it’s really easy on the ears so you’ll be surprised to see that it’s suddenly midnight and all you did was press play like a hypnotized drone. I’m not saying this is exactly what happened to me, but I’m also not not saying that it happened.

Pat Metheny – Side-Eye NYC (V1.IV) cover artwork
Pat Metheny – Side-Eye NYC (V1.IV) — BMG, 2021

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more