Review
Pat Metheny
Side-Eye NYC (V1.IV)

BMG (2021) Robert Miklos (Piro)

Pat Metheny – Side-Eye NYC (V1.IV) cover artwork
Pat Metheny – Side-Eye NYC (V1.IV) — BMG, 2021

I’m inclined to believe that anyone even just vaguely familiar with the fusion area of jazz has heard of Pat Metheny. Practically one of the legends of the genre, there’s nothing I could really say here to aptly summarize Metheny’s nearly five-decade career, nor add. It’s pretty obvious that in such cases there’s no critique to pass, or rather, no relevant critique.

Side-Eye NYC (V1.IV) is the title of Metheny’s latest work and it’s a live album. I’ll start out by raving a little about the production. It’s absolutely stellar. Jazz is generally renowned for spectacular production value and one of the greats being on display here also adheres properly to that. There’s nothing to poke at, the percussion is warm and perfectly articulated, the leads are smooth and present, while the low-end backbone is supporting everything neatly. It’s simply ear candy.

As for the music itself, it’s fairly easy going if you’re not paying attention. The laid back tonal qualities will leave the impression of a lounge type record. Quite the contrary, it’s definitely a record you need to actively listen to as it’s packed with tons of details and nuance. It’s a lot of fun to listen to and it’s really easy on the ears so you’ll be surprised to see that it’s suddenly midnight and all you did was press play like a hypnotized drone. I’m not saying this is exactly what happened to me, but I’m also not not saying that it happened.

Pat Metheny – Side-Eye NYC (V1.IV) cover artwork
Pat Metheny – Side-Eye NYC (V1.IV) — BMG, 2021

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more