Review / 200 Words Or Less
Primordial
To the Nameless Dead

Metal Blade (2007) Kevin Fitzpatrick

Primordial – To the Nameless Dead cover artwork
Primordial – To the Nameless Dead — Metal Blade, 2007

When I think of "folk metal," I think of the scene in This is Spinal Tap with the dwarf dancing around the tiny Stonehenge. This is because I'm incredibly immature. The term is actually used to define any metal band that incorporates its country of origin's indigenous sound within their own. Within this framework, Enslaved, Bathory and later year Burzum could be construed as "folk metal". Add to these, Ireland's Primordial, a band that's been around for almost twenty years but still have never really gotten the credit they deserve. Sure, they aren't the most prolific - they're starting to exhibit Metallica-like length in between albums, but you can't rush a good thing.

To the Nameless Dead is a natural progression from their previous efforts - with sweeping, majestic stories told through dense guitarwork, solid production (although a little too much high-end in the mix for my liking) and using their national pride as a driving lyrical influence without succumbing to the rhetoric of their lesser peers. "Heathen Tribes" and "As Rome Burns" has the tom-heavy rhythms of a hundred bodhráns leading the charge into battle. The Celtic sound has crossed over well into punk music over the years but crossing over into metal has been long and winding road. Here, it works.

Primordial – To the Nameless Dead cover artwork
Primordial – To the Nameless Dead — Metal Blade, 2007

Related news

Wolves In The Throne Room's Primordial Arcana

Posted in Records on June 14, 2021

Primordial Added To Bloodstock Open Air Bill

Posted in Shows on June 28, 2011

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more