Review
RASHŌMON
Nin-Gen EP

Iron Lung (2022) Loren

RASHŌMON – Nin-Gen EP cover artwork
RASHŌMON – Nin-Gen EP — Iron Lung, 2022

Laypeople who don’t listen to heavy music often lump it all together, even while those of us who dedicate our time to the cause can pick up the difference between death metal, thrash and hardcore in seconds.

RASHŌMON are one of those bands that would have people in fits right away, likely calling it metal even though there are few similarities. It’s loud, angry and super heavy. The guitars are blistering, the drums relentless, the vocals unforgiving. But this is hardcore, through and through. There are no solos, the vocals are equal parts shout and snarl, and the songs barely crash the 2-minute mark. Metal wallows in the misery. Hardcore plows through it.

“Tokyo via DC hardcore,” (per Iron Lung’s description) is a great starting point, as it checks many of the boxes I know from my limited knowledge of that scene. While the music itself is relentless and furious, it’s more polished than your typical American hardcore and with less bravado. It’s heart-on-sleeve and no nonsense, like the broader genre, but there’s a spastic energy that feels less formulaic even if the surface sound is rather familiar.

On this 6-song record the band covers a wide range in a short period of time. Drums often steal the show, as in “愛国者 Patriot,” while metallic flourishes in the guitars appear throughout, just without the showy excess. “Death Factory” is a good example of that, which also features a nice little breakdown in the middle of the 3rd of 6th songs and effectively serves as a reset for the EP. After that, “Resume Operation” is just heavy, more plodding than pummeling, while “ムシャムシャ! Musha Musha!” brings buzzsaw guitars and harsh, yet rhythmic, vocals that sometimes bark but, more so, snarl and spit. It’s a really big song that I think stands out the most here, though it has some serious competition in the closer, “Pigs in Blue,” which at one point hints at a marching order drum pattern before it devolves into haunting chaos, perfectly matching the finer lyrical point to the song.

The EP as a whole is super fast and super heavy. It feels like barely contained chaos but a closer listen reveals that it’s intricately composed, which it why it masterfully captures so many deeper emotions all shrouded underneath a dark, brooding storm cloud on the horizon.

8.0 / 10Loren • September 6, 2022

RASHŌMON – Nin-Gen EP cover artwork
RASHŌMON – Nin-Gen EP — Iron Lung, 2022

Recently-posted album reviews

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more

Various Artists

Bombs Away!
Rad Girlfriend Records (2025)

Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the former category. Bringing together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs, this six-track split (three songs per band) doesn’t just unite two names but captures two complementary approaches to Bay Area punk that still feel vital decades into … Read more