Review
Second Harbour
Coalesce EP

Sharptone (2025) Jeremiah Duncan

Second Harbour – Coalesce EP cover artwork
Second Harbour – Coalesce EP — Sharptone, 2025

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s chaos, melody, and emotional honesty finally fuse into one sound.

Produced by Kyle Marchant (Like PacificBearings), Coalesce thrives on tension. Prettiness versus punishment, intimacy versus eruption. The opening track, “Relative”, sets the tone with palm-muted guitars and a storm of drums that explode into a melodic hook so raw it almost feels uncomfortable. The lyric “There must be more to life than consanguinity / a living relative will be the death of me” twists familial loyalty into something tragic and universal. From the first scream, you know this band writes from the pain, not about it.

The second one, “Mourning Dove”, deepens the emotional cut. Clean guitar textures hum beneath vocals that ache more than they sing. It’s a song about aftermath. The what-ifs that come after losing someone who shaped you. The contrast between its dreamlike verses and its lyrical devastation (“You bade me to fly, but I couldn’t grow any wings…”) defines Second Harbour’s appeal. They offer delicate executions with devastating messages.

“I Am Half-Sick of Shadows” brings the aggression back, riding a groove that feels like early Thrice colliding with Movements’ cinematic melancholy. The interplay between whisper and scream gives the track its pulse. Proof that the band can balance hardcore bite with pop precision. And then there’s the closer/title track, “Coalesce”. It’s the band’s first self-described love song, but it’s no ballad. Built on hazy chords and layered vocals, it feels like emotional aftercare. The sound of pulling someone close while the world collapses outside the frame. The final line, “When we’re pulled apart, coalesce and restart again,” feels like a thesis. Love, death, family, and identity are all temporary states merging back into one another.

What makes this band and this EP stand out is its clarity of intent. Every choice feels deliberate. The production hits that sweet spot between DIY energy and major-label polish, and the performances are tight without losing breath. The band doesn’t fake anything. They simply arrive, fully realized.

Fans of ThriceBeing As An Ocean, and early Saosin will absolutely love this EP. Coalesce is both a debut and a declaration. Second Harbour prove they can swing hard, hit emotionally, and sound entirely their own while doing it. Four songs, no filler, all heart.

Second Harbour – Coalesce EP cover artwork
Second Harbour – Coalesce EP — Sharptone, 2025

Recently-posted album reviews

Nocturnal Prose

Western Interests
Total Agency (2026)

I’ve been reading Cory Doctorow’s latest book “The Reverse Centaur’s Guide to Life After AI” a scathing review of the current state of artificial intelligence wherein he seeks to pop the AI bubble. In the book’s central metaphor Doctorow identifies the centaur as someone whose work is improved upon by technology vs the reverse centaurs who are competing with and/or … Read more

Kyle Burnett

Glory Days
Syrup Moose Records (2026)

There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more

Rufio

From The Outside
Double Felix Records, Double Helix Records (2026)

“Rufio?! Like from back in the day Rufio?” Those were the words out of my mouth while claiming my next review. I wore out Perhaps, I Suppose as a teenager and my curiosity piqued. It has been 25 years since that album was released and 16 years since we have heard from Rufio at all. Regardless of these facts, we … Read more