Review
Second Harbour
Coalesce EP

Sharptone (2025) Jeremiah Duncan

Second Harbour – Coalesce EP cover artwork
Second Harbour – Coalesce EP — Sharptone, 2025

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s chaos, melody, and emotional honesty finally fuse into one sound.

Produced by Kyle Marchant (Like PacificBearings), Coalesce thrives on tension. Prettiness versus punishment, intimacy versus eruption. The opening track, “Relative”, sets the tone with palm-muted guitars and a storm of drums that explode into a melodic hook so raw it almost feels uncomfortable. The lyric “There must be more to life than consanguinity / a living relative will be the death of me” twists familial loyalty into something tragic and universal. From the first scream, you know this band writes from the pain, not about it.

The second one, “Mourning Dove”, deepens the emotional cut. Clean guitar textures hum beneath vocals that ache more than they sing. It’s a song about aftermath. The what-ifs that come after losing someone who shaped you. The contrast between its dreamlike verses and its lyrical devastation (“You bade me to fly, but I couldn’t grow any wings…”) defines Second Harbour’s appeal. They offer delicate executions with devastating messages.

“I Am Half-Sick of Shadows” brings the aggression back, riding a groove that feels like early Thrice colliding with Movements’ cinematic melancholy. The interplay between whisper and scream gives the track its pulse. Proof that the band can balance hardcore bite with pop precision. And then there’s the closer/title track, “Coalesce”. It’s the band’s first self-described love song, but it’s no ballad. Built on hazy chords and layered vocals, it feels like emotional aftercare. The sound of pulling someone close while the world collapses outside the frame. The final line, “When we’re pulled apart, coalesce and restart again,” feels like a thesis. Love, death, family, and identity are all temporary states merging back into one another.

What makes this band and this EP stand out is its clarity of intent. Every choice feels deliberate. The production hits that sweet spot between DIY energy and major-label polish, and the performances are tight without losing breath. The band doesn’t fake anything. They simply arrive, fully realized.

Fans of ThriceBeing As An Ocean, and early Saosin will absolutely love this EP. Coalesce is both a debut and a declaration. Second Harbour prove they can swing hard, hit emotionally, and sound entirely their own while doing it. Four songs, no filler, all heart.

Second Harbour – Coalesce EP cover artwork
Second Harbour – Coalesce EP — Sharptone, 2025

Recently-posted album reviews

The Dwarves

Jenkem
Greedy, MVD (2026)

The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been a fan since. Over the forty years they've been around, some albums hit, some didn't connect as much. Their last main outing, Concept Album, bloated into a 26-song deluxe CD. Jenkem returns to familiar territory: 14 tracks screaming by in … Read more

David J

Tracks From the Attic Revisited
Independent Project Records (2026)

Sometimes musical circles take decades to close. Just ask Fleur De Lys and their catchy cover of The Who’s '60s freakbeat rarity, "Circles." For those of us digging through dusty crates at the margins of post-punk, a first introduction to mid-century mystic Eden Ahbez didn't come from a Nat King Cole hit. It came straight from the liner notes of … Read more

Physicalist

Self Titled
Dirt Cult (2026)

F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months I've caught myself making that comparison twice. First while listening to the new Dumpies LP (spoiler alert: they cover F.Y.P on that same record) and now as I listen to the Physicalist debut EP. The interesting thing here isn't the … Read more