Review
Senyawa
Alkisah

Phantom Limb (2021) Cheryl

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the modern as Alkisah progresses through structures that are formed as if from a dream, the links created through flowing sounds that are familiar while being unknown. There are hints of the real world in their music and the sounds that their instruments make, yet Senyawa bring forth an energy that is tangibly otherworldly in their beats and vocal patterns.

“Alkisah I” is initially quiet in its opening, yet it soon moves quickly to curious beats and vocalisations that are curated around the bizarre elements of Wukir Suryadi’s improvised instruments. Knowing exactly what is happening regarding the sounds being produced is a difficult task to handle and one can imagine that even in a live setting, Senyawa distort and distract reality in order to suspend the belief of their audience. “Istana” slithers into unsettling, doomed territory as it envelops the atmosphere in uneasy drones and feedback, Shabara’s voice hitting deeper notes and showcasing an incredible talent for changing their voice to suit the music. In later songs there is throat-singing or chanting and in final track “Kiamat” an aggressive shout that lies in sync with huge percussive strikes. It is an explosive end to an album of dynamic textures and intriguing moments that bring more questions that answers.

Alkisah is boundless in its exploration of the world of those who are behind it and the two artists at the heart of the project pull from personal experience in terms of their homeland and the myths and legends that surround them while taking the structures of their songs beyond the limits of what is expected from experimental music. Senyawa control the movement of the songs in such a way as to evoke structure yet the music on display here almost takes on a life of its own. The dream world is rife with mysticism and Senyawa are the guides we need to navigate it.

8.0 / 10Cheryl • June 14, 2021

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Recently-posted album reviews

Osiah

Aion
Unique Leader (2025)

Deathcore is a genre that’s constantly threatening to eat itself alive. For every band trying to push boundaries, there are ten more content to recycle the same breakdowns, the same vocal gymnastics, the same studio-polished violence. Osiah, however, have never been interested in playing it safe and their latest EP Aion is proof that they’re still operating on a level … Read more

Ramleh

Hyper Vigilance
Sleeping Giant Glossolalia (2025)

Ramleh is a cornerstone of the UK industrial and noise underground. Staring out in the early '80s, they are one of the pioneers of noise and power electronics alongside the likes of Whitehouse and Sutcliffe Jügend. But, beneath the havoc and the sonic debris, Ramleh always carried an emotional pulse. It is what separates their finest moment, Hole In The … Read more

Crippling Alcoholism

Camgirl
Portrayal of Guilt Records (2025)

Crippling Alcoholism have always navigated a delicate balance between musical depth and immediacy. A blend that few bands attempt, let alone master, but Crippling Alcoholism's two previous full-length records, When The Drugs That Make You Sick Are The Drugs That Make You Better and especially With Love From A Padded Room did exactly that. With a foundation formed through post-punk … Read more