Review
Senyawa
Alkisah

Phantom Limb (2021) Cheryl

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the modern as Alkisah progresses through structures that are formed as if from a dream, the links created through flowing sounds that are familiar while being unknown. There are hints of the real world in their music and the sounds that their instruments make, yet Senyawa bring forth an energy that is tangibly otherworldly in their beats and vocal patterns.

“Alkisah I” is initially quiet in its opening, yet it soon moves quickly to curious beats and vocalisations that are curated around the bizarre elements of Wukir Suryadi’s improvised instruments. Knowing exactly what is happening regarding the sounds being produced is a difficult task to handle and one can imagine that even in a live setting, Senyawa distort and distract reality in order to suspend the belief of their audience. “Istana” slithers into unsettling, doomed territory as it envelops the atmosphere in uneasy drones and feedback, Shabara’s voice hitting deeper notes and showcasing an incredible talent for changing their voice to suit the music. In later songs there is throat-singing or chanting and in final track “Kiamat” an aggressive shout that lies in sync with huge percussive strikes. It is an explosive end to an album of dynamic textures and intriguing moments that bring more questions that answers.

Alkisah is boundless in its exploration of the world of those who are behind it and the two artists at the heart of the project pull from personal experience in terms of their homeland and the myths and legends that surround them while taking the structures of their songs beyond the limits of what is expected from experimental music. Senyawa control the movement of the songs in such a way as to evoke structure yet the music on display here almost takes on a life of its own. The dream world is rife with mysticism and Senyawa are the guides we need to navigate it.

8.0 / 10Cheryl • June 14, 2021

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more