Review
Senyawa
Alkisah

Phantom Limb (2021) Cheryl

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Indonesian duo Senyawa are experimentalists of the highest order on Alkisah, a record the dives head-first into the strange and unusual through improvisation with homemade instruments from Wukir Suryadi and a voice that ranges from the manic to the beautiful from Rully Shabara. Senyawa link the traditional to the modern as Alkisah progresses through structures that are formed as if from a dream, the links created through flowing sounds that are familiar while being unknown. There are hints of the real world in their music and the sounds that their instruments make, yet Senyawa bring forth an energy that is tangibly otherworldly in their beats and vocal patterns.

“Alkisah I” is initially quiet in its opening, yet it soon moves quickly to curious beats and vocalisations that are curated around the bizarre elements of Wukir Suryadi’s improvised instruments. Knowing exactly what is happening regarding the sounds being produced is a difficult task to handle and one can imagine that even in a live setting, Senyawa distort and distract reality in order to suspend the belief of their audience. “Istana” slithers into unsettling, doomed territory as it envelops the atmosphere in uneasy drones and feedback, Shabara’s voice hitting deeper notes and showcasing an incredible talent for changing their voice to suit the music. In later songs there is throat-singing or chanting and in final track “Kiamat” an aggressive shout that lies in sync with huge percussive strikes. It is an explosive end to an album of dynamic textures and intriguing moments that bring more questions that answers.

Alkisah is boundless in its exploration of the world of those who are behind it and the two artists at the heart of the project pull from personal experience in terms of their homeland and the myths and legends that surround them while taking the structures of their songs beyond the limits of what is expected from experimental music. Senyawa control the movement of the songs in such a way as to evoke structure yet the music on display here almost takes on a life of its own. The dream world is rife with mysticism and Senyawa are the guides we need to navigate it.

8.0 / 10Cheryl • June 14, 2021

Senyawa – Alkisah cover artwork
Senyawa – Alkisah — Phantom Limb, 2021

Recently-posted album reviews

Between the Buried and Me

The Blue Nowhere
Inside Out (2025)

Between The Buried And Me are seasoned vets to the progressive metalcore, electronic, prog (whatever other genre they bend) scene and continue to drop album after album. Their career started back in 2000 from the ashes of one of the greatest metalcore bands of all time (in my humble opinion), Prayer For Cleansing. As the band has progressed over the … Read more

The Beths

Straight Line Was A Lie
Anti (2025)

Dear Beths, Congratulations on the new release. I’ve been reflecting on our relationship and, as I’ve recently started to write about music again, have been asked to share my thoughts with you. First and foremost, I want to say that this isn’t easy for me. I cherish your album Future Me Hates Me from 2018. The title track alone is … Read more

East End Redemption

Crashing Down
Independent (2025)

Who would’ve thought that from the land of lobsters and blueberries, you’d find a punk band? East End Redemption is a four-piece band that brings their flavor of punk from Portland, Maine to the masses with their eleven song, debut full-length album, Crashing Down. They mix elements of skate punk, power pop, and even hints of hardcore punk. The band … Read more