Review
Shitty Weekend
Shit Week

Secret Pennies (2014) Loren

Shitty Weekend – Shit Week cover artwork
Shitty Weekend – Shit Week — Secret Pennies, 2014

This thing is all over the map, from freak-out jazz-punk one minute (“Geneva”) to a track of haunting old man ghost noises laid atop a galloping horse, and then band to spastic punk.

I mean that in a good way.

Shitty Weekend is made up of members of Transient and The Taxpayers and call Portland home. They’re a six-piece band with not one, but two different saxophone players, but it’s punk through and through, despite the horns. It’s tongue-in-cheek, angry, and fun all in one encompassing sweep. Sometimes it’s ‘80s-inspired hardcore, at others it’s melodic fare with a smooth saxophone breeze under the core. Then they say “fuck all” and close with the acoustic, folk-punky “Oh Dear.” While that sounds like there’s not a unifying factor, there is. The band establishes a cheeky tone that works across the styles and the DIY production works well with their varied sounds, pulling it all together under in unglossed package with a lot of screaming vocals and screaming saxophones. While the lyrics are of a political bent, it avoids the preachy angle.

Ultimately, Shitty Weekend a band that’s out there having a good time, planting some sarcastic seed along the way, well evidenced by the lyrics “You’ve got a lot of nerve showing your face around here/ I bet you’ve never ever read Steven Blush’s American Hardcore” in “Smoke Weed.” While it’s a touch goofy, it’s predominately spastic and has some varied underlying tones that remind of some of the more off-kilter items from Alternative Tentacles. Meanwhile, it sounds authentic and like a single band, able to change directions and instruments without an air of being calculated (I’m looking at you, Parquet Courts). In “Geneva” I always find the voice reminiscent of Brian Gorsegner of Night Birds and the manic tone of that band serves as a good point of reference here, even if the style varies quite a bit. It’s a 12 song, 21-minute blast of a full-length that the band probably could have put on a single side of wax had they chosen.

But it’s more fun to flip the record over and move around. That’s just what Shitty Weekend is about. This is a record to play the next time somebody tells you punk rock has grown stale.

8.4 / 10Loren • October 20, 2014

Shitty Weekend – Shit Week cover artwork
Shitty Weekend – Shit Week — Secret Pennies, 2014

Recently-posted album reviews

Silver Proof

Even If It Hurts
Independent (2026)

Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more

Lice (Aesop Rock & Homeboy Sandman)

Vol. 4: Miami Lice
Rhymesayers (2026)

This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as … Read more

Various Artists

There Is No Sun - A Tribute To Jay Reatard
Sonic Church (2026)

The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier budget-punk act of his namesake, Reatards, his synth-punk projects Lost Sounds and Angry Angles, or his solo material as Jay Reatard, Jimmy Lee Lindsey Jr. was an incredible songwriter. Those aforementioned bands are just a smattering of units he’s been … Read more