Review
Sleep Token
Sundowning

Spinefarm Records (2019) Cheryl

Sleep Token – Sundowning cover artwork
Sleep Token – Sundowning — Spinefarm Records, 2019

Sundowning is a record of intrigue and mystery, not least because of the anonymous faces behind the band and this enigmatic twist has led to many discovering their presence in the British alternative scene. While their identities may be hidden, Sleep Token display their emotions for all to see on their debut album, a collection of songs which evoke much more than is first thought. The band released the twelve tracks that comprise the album during 2019, each one showing new facets and sounds before collecting them all together and naming it Sundowning.

The strength of the band lies in the beautiful vocals of the one named Vessel, a person who would rather their voice is the thing of import, rather than their appearance and so masks and cloaks and body make-up are utilised during live performances in order not to detract from the message. Vessel’s identity is a closely guarded secret but that doesn’t stop the internet machine from taking wild guesses that range from the probable to the bizarre. Sundowning draws from metal, but more than that it takes from indie electronica (think James Blake as the most obvious reference point) as its main thrust with the metallic elements embellishing emotional highs or deep lows such as on “The Offering,” where the heavy bass cuts through the growled vocals to push the song into harder territory.

The contrast to following song, “Levitate” is strong and it falls back into softer moments that are created by precise beats and Vessel’s wounded, clean singing. The track feels personal and it often seems that Sundowning is a record that is dealing with great loss, perhaps even death and so the resonance of such a song takes a short time to process within the space before “Dark Signs” begins. The biggest slight that could be directed towards Sundowning is that these pauses between songs are a little too long at times, likely caused by the way in which the songs were originally released and then being tailored for the album format – the fade outs can be distracting and the flow is occasionally interrupted but repeated listens will bear more reward.

The force of the metallic influence shows itself clearly in the aggressive tones of “Higher” and “Gods,” where Vessel’s voice turns into a harsh weapon that is edged with rage and venom and the latter of the two songs breathes with a fire that harkens back to the wave of nu-metal that struck in the late 90s/early 00s. These moments are used sparingly and it’s a move that truly pays off for Sleep Token – they are not relying on these huge shifts in sound or tone to create emotional heft and instead are using their words and electronic progressions to give the songs a hint of depth or beauty.

8.0 / 10Cheryl • January 20, 2020

Sleep Token – Sundowning cover artwork
Sleep Token – Sundowning — Spinefarm Records, 2019

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more