Review
Sourvein
Ghetto Angel

This Dark Reign (2008) Mario

Sourvein – Ghetto Angel cover artwork
Sourvein – Ghetto Angel — This Dark Reign, 2008

It must be difficult for bands in the sludge metal game stand out from one another. Everyone's got the same huge amps. Everyone's got the same monster guitar tone. Everyone's on the same drugs, the burnouts from which have left everyone too fatigued to play anything faster than mid-tempo. Everyone has that oddly-conceived but still widely popular shrieking that makes it sound as if the vocalists are gargling gravel.

How does a band of this sort distance itself from the pack? Eyehategod took the very minimal spotlight available to this genre twenty years ago, so surely the logical step from here is to evolve, right?

Wrong, says Sourvein. Their 2008 release, an EP titled Ghetto Angel, is yet another page added to their sludge-purist manifesto, the entirety of which consists of efficient riffing and a truly crushing sound. Unfortunately, if you've heard these guys before, you've heard this EP already. Each Sourvein release distinguishes itself only by the fact that the production gets a little warmer each time, meaning that each release sounds slightly heavier than the last, though not necessarily better.

Sourvein are great compilation material and probably put on a killer show, but this release is rather forgettable.

6.6 / 10Mario • September 11, 2008

Sourvein – Ghetto Angel cover artwork
Sourvein – Ghetto Angel — This Dark Reign, 2008

Related news

Sourvein reinstate original bassist

Posted in Bands on August 29, 2011

Saviours / Sourvein Midwest Tourdates

Posted in Tours on July 17, 2009

Recently-posted album reviews

The Dwarves

Sunshine, Lollipops & Rainbows
GREEDY (2025)

Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited vinyl for Record Store Day. Given that it came shortly before the release of Blood, Guts & Pussy, it's no surprise that it's heavy on songs from that record (10 of 14, if I've counted correctly). It's more primal than … Read more

Osmium

Osmium
Invada (2025)

Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more

Lutheran Heat

Hi Again
Pinata Records (2025)

Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more