Review
Subrosa
More Constant Than the Gods

Profound Lore (2013) Jon E.

Subrosa – More Constant Than the Gods cover artwork
Subrosa – More Constant Than the Gods — Profound Lore, 2013

Subrosa have managed to get lumped into the doom genre. While that genre tag isn't completely inaccurate it certainly fails to tell the full story of the band. The band certainly has doom elements at times heavy guitars and lengthy song structures may stick out the band refuses to stick to convention and allowing for a style that is more reminiscent of My Dying Bride.

The first thing that allows such a lofty comparison is certainly the most easy and surface one, that would be the violins that are used to bolster their melodies. The melodic vocals and use of alternate vocal styles also allow for this comparison. Where Subrosa tread differently is in their heaviness when the guitars break out it is more forceful and direct. The guitars remain sludgy and heavy when present but this seems to give the violins more force than usual allowing them to bring both melodic and discordance.

The band show off many iterations of their style but the style is undoubtedly their own. While riffs may be cribbed from their forebearers the band add a few elements that not only make them stick out from any influence but far beyond most of their possible peers.

9.4 / 10Jon E. • October 6, 2014

Subrosa – More Constant Than the Gods cover artwork
Subrosa – More Constant Than the Gods — Profound Lore, 2013

Related features

SubRosa

One Question Interviews • May 21, 2015

Related news

Subrosa robbed in Sacramento

Posted in Bands on November 5, 2013

Recently-posted album reviews

The Dwarves

Sunshine, Lollipops & Rainbows
GREEDY (2025)

Sunshine, Lollipops & Rainbows is a live studio recording from 1989, released on picture disc earlier this year on limited vinyl for Record Store Day. Given that it came shortly before the release of Blood, Guts & Pussy, it's no surprise that it's heavy on songs from that record (10 of 14, if I've counted correctly). It's more primal than … Read more

Osmium

Osmium
Invada (2025)

Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes tamboura-like drones using a monocord of his own design. Sam Slater operates … Read more

Lutheran Heat

Hi Again
Pinata Records (2025)

Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more