Review / 200 Words Or Less
Swallow The Sun
Emerald Forest & The Blackbird

Spinefarm Records (2012) Sarah

Swallow The Sun – Emerald Forest & The Blackbird cover artwork
Swallow The Sun – Emerald Forest & The Blackbird — Spinefarm Records, 2012

Swallow the Sun may have gotten into the death-doom metal craze a good decade after its peak, but even thirteen years on, they are still going strong, evidenced by their latest release, 2012's Emerald Forest and the Blackbird.

At the core of the album are its meandering trips through doom metal, with hints of gothic metal and melodeath supplied liberally. The extended, repetitious passages also suggest some influences from post-metal, though without the tendency towards sludge. The occasional peppering of spoken word and female vocals also adds some variety here and there, but don't expect them to deviate too far from the norm.

There's no implication that Swallow the Sun aren't still a strong act, but Emerald Forest does show their age. It drags on a bit, especially towards the second half. This isn't exactly a surprise when you consider that the album consists of ten similarly-styled pieces, all longer than your average metal track, but it still makes for a somewhat sluggish finish to an album that's actually pretty tight otherwise.

If you enjoy more pensive metal, then you'll love Emerald Forest. But if you're new to the band, consider their stronger debut, 2003's The Morning Never Came instead.

7.0 / 10Sarah • March 19, 2013

Swallow The Sun – Emerald Forest & The Blackbird cover artwork
Swallow The Sun – Emerald Forest & The Blackbird — Spinefarm Records, 2012

Related news

Swallow the Sun releases new record

Posted in MP3s on September 12, 2012

Swallow the Sun in North America

Posted in Tours on May 28, 2012

Katatonia, Swallow The Sun tour

Posted in Tours on April 13, 2010

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more