Review
The Absence
Riders of the Plague

Metal Blade (2007) Kevin Fitzpatrick

The Absence – Riders of the Plague cover artwork
The Absence – Riders of the Plague — Metal Blade, 2007

The Absence hails from Tampa, Florida. Anyone with a sense of history knows that in the late eighties this meant something. Death, Obituary, Deicide, and Morbid Angel all hailed from Florida and significantly helped mold the clay into what we now know as death metal.

The Absence are fully aware of their roots and have set forth to continue the legacy of their forefathers. The Absence is not death metal, however, nor do they purport to be. One listen will tell you that their sound is indeed more west coast thrash than east coast death. The difference between the two, for the uninitiated, is melody. The Absence are very melodious and this what will make them either stand out like a blistered thumb or sink quietly into the background - something I have a hard time believing this band would ever let happen.

I want to like this band more. I know they're the real deal, but there's just too much soloing for my wee (huge) head to wrap itself around. They remind me very much of latter-day Testament, which, as much as I loved that band, was made cool in large part to Chuck Billy's vocals. The Absence have no such vocalist and their inclusion of a cover of Testament's "Into The Pit" makes this glaringly clear. The band has a more extreme look than their music conveys. They all look like they just shambled out of a Norwegian fjord. I guess I was hoping for more. Riders of the Plague

good metal title. War-machine style graphics. The presentation's good but the end result leaves the listener wanting something more

memorable. Don't get me wrong, as you're listening you're very likely to be going, "Holy shit - these guys can shred." And they most certainly can. But when the album is over I think you'd be hard pressed to be able to remember a single riff, bridge, or chorus that doesn't involve the Testament cover.

Which leads me to a final diatribe

I have nothing against bands covering others that have influenced them. Even at their worst, they can have a sweet "Hey grandpa! Look what I can do!" kind of charm that makes them impenetrable to even the most jaded, but I have yet to hear any kind of cover of a west coast thrash band (i.e. Exodus, Death Angel, Vio-Lence, Testament) that didn't fail miserably in comparison to the original. There was such a regional sound and vibe to it all that hasn't been recreated since its zenith of the mid-to-late eighties. So all you burgeoning young bands out there, it's a sweet gesture, but next time just thank 'em in the liner notes.

The Absence – Riders of the Plague cover artwork
The Absence – Riders of the Plague — Metal Blade, 2007

Related news

The Absence cover Bad Religion

Posted in Bands on May 18, 2019

Recently-posted album reviews

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more

The Sleeveens

National Anthem
Goner (2026)

National Anthem is the second album from The Sleeveens, a Nashville, TN band fronted by an Irishman. The band play that perfect mix of protopunk and classic rock 'n' roll that's built on a verse/chorus/verse structure and melody without any frills. It's leather jacket music for the common folk. The debut grabbed me by my collar and spun me around … Read more