Review
The Gamits
Parts

Paper + Plastick (2010) Aaron H

The Gamits – Parts cover artwork
The Gamits – Parts — Paper + Plastick, 2010


What do you get when you throw Jawbreaker and Alkaline Trio into a blender? One of the finest pop-punk albums of the year. The Gamits’ Parts takes a competent formula and uses it to keep the listener coming back for more.

It doesn’t take long to notice this trio has an ear for melody. Parts gets right into it with the album’s fast paced opener, “Falling Apart.” The title makes the lyrical content clear and sets the mood for the rest of Parts. Following “Falling Apart,” we get to “No One Cares Why Should I.” The most striking element of this song is how much Chris Fogal’s vocals resemble that of Blake Schwarzenbach’s. Not only that, but Fogal hits chords in a tone that would have felt right at home on Jawbreaker’s Dear You. The Gamits pick things back up with “This Shell.” Here's a song that revolves around coming to terms with one’s age and gives us a simple chorus that repeats,

“I am old! I am old! I am older than dirt! I am old!”

"This Shell" points out dealing with age but doesn't make you sympathize. Whereas, the lyrical content of “The Still and the Lost” is not so repressive. The song opens with the sound of someone breathing heavily before Fogal delivers emotionally-driven and lurid lyrics about a planned suicide backed with a catchy melody. It’s hard to follow this song without having every bit of daunting imagery pop into your head-

“I’m looking out of a 13th story window. I can feel the gravity pull me close to tragedy.”

The apex of the album, “Love Suicidal,” offers up more disheartening lyrics such as,

“I knelt down beside my bed and prayed that this torture would end. I’m not scared anymore.”

It has a guitar lead that complements the lyrics so well that you can feel the weight of every note. As we come to “The Well,” we get a taste of Descendents-esque melodies. Which is something that becomes more prominent in the next track, “Broken Instrument.” Finally, we reach the album’s closer, “Peninsula.” Half of this serene song is played solo before going into a jam session that ends the record nicely.

Parts is an album that wears its heart on its sleeve. These 11 tracks will keep you coming back for another listen. Occasionally, the chord progressions can seem recycled. However, you won’t skip a single track, and each time you’ll soak in some of the most well written, but despairing lyrics in pop-punk.

9.0 / 10Aaron H • December 6, 2010

The Gamits – Parts cover artwork
The Gamits – Parts — Paper + Plastick, 2010

Related news

The Gamits Sign To Paper + Plastic

Posted in Labels on July 29, 2010

Recently-posted album reviews

The Phase Problem

The Power Of Positive Thinking
Brassneck Records (2024)

I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more