Five years after their first EP was released, English band The Pirate  Ship Quintet have finally released their debut album, 2012's Rope for No-Hopers. But how well does it hold up in comparison to the modern post-rock scene?
Right  from the get-go, it sounds like they're trying to re-create that  symphonic-based minimalist sound of the Montréal post-rock scene, mixed  with just a hint of the traditional halfheartedly ironic indie sound  thrown in for good measure. I'm just not convinced that they've  succeeded at doing it well. Instead of dense, layered, cathartic, and  moving pieces, the music here just sounds lackadaisical, almost plodding  along without much interest or effort. It has a habit of dragging on  for far too long without actually accomplishing much of anything, and by  the fifth time you've checked the timestamps to see if the song's over  yet, they're only halfway done with the song. It's like they're not even  attempting to hold your attention, and it definitely shows--listening  to this album feels like a chore, not a pleasure.
And even on  those few moments of rare enjoyment to be found on this album, the music  isn't particularly original. Though it's quite capably performed,  there's no doubt about that, the ideas behind it are all very  derivative, and The Pirate Ship Quintet haven't added much in the way of  embellishment to make them stand out amongst their peers. The pieces  are entirely predictable, and not in the desirable way usually expected  from the genre--it just feels like you're calling the shots for ten  minutes at a time, and it's not particularly fulfilling in that regard.  The songs just seem to blend together into a formless pile of sound,  drifting in one ear and coming right back out the other, leaving you  with a constant sense of dissatisfaction.
Uncompromising fans of  the Constellation indie/post-rock sound or fans of Denovali's usual  output will probably still find something to like about this album, but  it takes an almost unreasonable amount of patience to listen to, let  alone enjoy. I just can't help but feel that I could get the same  feeling, only better realized, by listening to A Silver Mt. Zion or sleepmakeswaves.  I don't want to come across as somehow portraying The Pirate Ship  Quintet as a bad band, because they're not. If nothing else, this album  shows that they definitely have potential. It seems as though they just  haven't quite realized it just yet.