Review
Tipper
Insolito

Tippermusic Records (2021) Robert Miklos (Piro)

Tipper – Insolito cover artwork
Tipper – Insolito — Tippermusic Records, 2021

One of the pioneering acts in the glitch/IDM area of music, Tipper, hit us up with yet another record. Right off the bat, I can’t vouch that it has the same kind of punch as say Jettison Mind Hatch or Forward Escape. Although, I think it’s a little unfair to compare it to said records, as Insolito is just an EP so it might be fitting to put it next to the likes of Lattice, Flunked, and such.

Even so, the overall mood of the record is fairly linear and doesn’t sway beyond its relaxed state. This uniformity kind of makes things blend up to the point where it’s a nondescript mass of sounds — on repeated and consecutive listens.

Now, that may sound a little discouraging, but the sound design is on point, like with any other Tipper album. It’s some of the best sound design you will hear in electronic music, alongside the likes of Amon Tobin or Ben Lukas Boysen and such. There’s plenty to chew on if you give Insolito an attentive listen in that sense and it can even be rewarding.

I can’t say Insolito is a step forward for Tipper in any sense though. It seems to take on very similar approaches as past releases and doesn’t show any clear signs of an attempt at pushing virtually anything forward. As a listener, this is the very opposite of a selling point, but as an artist, I can understand the wish to explore a realm in detail.

Insolito isn’t the Tipper I expected to see in 2021, but it isn’t otherwise either. It’s definitely worth popping into a playlist for an easy listening session, or one for admiring alluring sounds, but not much more than that. We’ll see what the future holds for Tipper.

Tipper – Insolito cover artwork
Tipper – Insolito — Tippermusic Records, 2021

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more