Review / 200 Words Or Less
Tricky
Skilled Mechanics

K7 (2016) Kevin Fitzpatrick

Tricky – Skilled Mechanics cover artwork
Tricky – Skilled Mechanics — K7, 2016


When I think think of one word to describe Tricky, it isn't trip-hop, because that's two words, silly. No, the one that always comes to mind, is 'experimental'. Now, that isn't meant in a music critic lazy-label kind of way. It's meant as a true compliment. Tricky is a mad scientist. And like any true scientist working away in the lab, there will be failed experiments.

Skilled Mechanics is not a failed experiment. Not by a long shot. In fact, with Skilled Mechanics, Tricky delivers one of his strongest albums to date, without a single wasted petri-dish.

Highlights of the album - and there are many, include opening track "I'm Not Going:, featuring Danish singer Oh-Land. Tricky always appears at his strongest with that feminine balance in the vocals, and Oh-Land delivers one of the strongest vocal-works since the days of Martina Topley-Bird.

As is seemingly customary now, Skilled Mechanics includes a couple of cover songs - surprising both in their appearance and execution. First, Stone Sour's "Bother" - a straightforward but no less affecting piano driven tune and "Diving Away" - an almost lullaby-like reworking of Porno For Pyros' "Porpoise Head". On the surface, it may appear that these are safe choices and you'd be right if we were talking about anyone other than Adrian Thaws, who's yet to play it safe in his entire career.

Tricky – Skilled Mechanics cover artwork
Tricky – Skilled Mechanics — K7, 2016

Related news

Additions to Mountain Oasis festival

Posted in Shows on September 2, 2013

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more