Review
Uniform
Shame

Sacred Bones (2020) Cheryl

Uniform – Shame cover artwork
Uniform – Shame — Sacred Bones, 2020

Uniform’s music is aggressive; it’s harsh, noisy, power electronics with smatterings of industrial, metallic hardcore and rumbling chords and overseeing it all is Michael Berdan’s voice – a voice that has lived through more than most can ever imagine and one that underpins their fourth full-length, Shame, as its narrator.

Shame is the study of the in between, the moments that are never spoken about that intersperse huge incidents and in the words of Berdan – “It focuses on the static state of an antihero as he mulls over his life in the interim between major events, just existing in the world.” Shame certainly doesn’t dwell in the quiet and is instead a journey of hard-hitting stations that leave you wondering just how apocalyptic the major event needs to be if this is the intermission.

Opening on “Delco,” Uniform immediately bring to the fore their power as guitars churn over agile drums and Berdan screams – “You are what you’ve done, you are what’s been done to you,” giving the impression that this antihero is moving further away from the status of protector and perhaps into a darkness that will be difficult to climb out of.

The painful feedback loops that colour “Life in Remission” add a touch of hypnotic wonder to the track and it becomes a lesson in holding on, being patient and waiting for the light to shine once again - struggle will not always be the way. This feeds into the bittersweet, melancholic opening of “Shame” which glimmers with sickly light just that little too far out of reach giving a glimpse of what could be before Berdan’s bellows shatter the peace.

Shame seems to be a record that plays with those feelings of despair, offering short moments of respite in the turmoil before turning it all back around and allowing you to sink into the grime that lines the dark, rain-soaked streets of the city. Album closer "I Am the Cancer" delves further into that idea with guitars that often glimmer with post-rock prettiness but which are hidden by fuzzy riffs and harsh shouts - beauty is hard to come by in Uniform's world but they know it's there, you just have to be very determined to find it.

8.0 / 10Cheryl • November 9, 2020

Uniform – Shame cover artwork
Uniform – Shame — Sacred Bones, 2020

Related news

Dazzling Killmen reunion show

Posted in Bands on April 5, 2025

Uniform without the rock

Posted in Records on September 21, 2024

A thematic new Uniform record

Posted in Records on July 25, 2024

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more