Review
Urgehal
Goatcraft Torment

Southern Lord (2006) Kevin Fitzpatrick

Urgehal – Goatcraft Torment cover artwork
Urgehal – Goatcraft Torment — Southern Lord, 2006

God bless Southern Lord Records. For many years the label has been the last bastion for all things sludgey and doomish. But as some of the latest releases to come out of their gate prove, they're going back to the Black with a monster roster that sets a beautifully dark tone for the future of the label. Urgehal is one of these bands. After Southern Lord's domestic release last year of the group's 2003 album Through Thick Fog Till Death, the question of where the band was to go next has been answered with their latest, Goatcraft Torment.

Now, I don't know about you folks, but I like my black metal like I like my porn. Raw and dirty, and Urgehal has both in spades. If you have a preference for the operatic, epic songs of Satan, then you best just keep on walking. Urgehal's music isn't pretty. It's brutal, no-frills old-school Norwegian blackness ala early Darkthrone or Mayhem that unfortunately just isn't made too much anymore. Hell, the majority of songs are even sung in their native tongue.

New black metal fans do yourself a favor and discover your roots. Buy Goatcraft Torment if for no other reason than to show your Cradle of Filth loving buddy how this style of music should really sound.

Urgehal – Goatcraft Torment cover artwork
Urgehal – Goatcraft Torment — Southern Lord, 2006

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more