Review
Versoma
Life During Wartime

Robotic Empire (2006) Bob

Versoma – Life During Wartime cover artwork
Versoma – Life During Wartime — Robotic Empire, 2006

With Versoma's debut offering, Life During Wartime, it would be extremely easy to make assumptions about the sound based off the previous bands of its members (having done time in Anodyne and Lickgoldensky, amongst others). But that would be a huge disservice to this short and sweet EP. This record is chock full of noise laden guitars that establish an interesting backdrop for the more melodic guitar parts. The vocals are peculiarly absorbing and give another layer to the band's overall sound.

"Gods and Queens" is a good song. The music is thick sounding but very noisy sounding at the same time. The bridge has a really good groove and changes the feel of the track real well. The vocals fit nicely with what the music is doing, giving the track an urgent feel. "Symbols and Abbreviations" features the deeper vocals of the other vocalist. The music has a more relaxed mood than the first song. There are some interesting melodic guitar passages that Versoma produces that provide some ear catching sounds while at the same time maintaining that noisy edge that is evident throughout the Life During Wartime.

"November 2004" is even more laid back sounding than the previous track. It returns to the vocals of the higher pitched vocalist. The intensity of the song gradually builds as the song progresses while the music has a layered effect to it and ends with a cascading sound quality. The lyrics towards the end draw my attention with the following lines, "Your arms are a mess / How can you go out into public like that / What would your parents say / I've invested / I'm invested." "Come in Alone" has some real noisy parts to it that are tempered by fuller parts that tie everything together. The line, "Nobody likes to kill like the white man" is pretty good; and, although I am pulling it out of context, it immediately drew my attention to the lyrics of the song and extra spins just to try to get the lyrical gist of the song.

Versoma surprises many with this first EP. Life During Wartime really is not similar to Anodyne or Lickgoldensky. The real trick is whether or not this is a tease. It has loads of potential. I was taken aback by its simultaneously noisiness and odd tunefulness. This is well worth your time if you are into noisy guitar driven music. Hopefully, this is just a teaser record and there will be more to come from the band.

7.0 / 10Bob • October 22, 2006

Versoma – Life During Wartime cover artwork
Versoma – Life During Wartime — Robotic Empire, 2006

Recently-posted album reviews

Totally Slow

The Darkness Intercepts
Refresh Records (2024)

I find Totally Slow a hard band to categorize. Their brand of melodic, hard punk is familiar and comforting -- rooted in ‘80s hardcore, ‘90s skatepunk, and post-something guitar-driven rock. The press release namedrops Dag Nasty and Hot Snakes, among others, which I think are good starting points. But while it’s familiar, it’s absolutely not a carbon copy. Like their forebearers, the songs … Read more

Steamachine

City of Death
Records Workshop (2023)

City Of Death is the third album from Polish noise makers Steamachine. Having dabbled in a few metal styles over their career, City Of Death has a heavy carnival influence to it which I have to say I really like. It's interesting just how much more sinister things sound when you pump eerie, jingly circus sounds amongst very dark, heavy, … Read more

Faulty Cognitions

Somehow, We Are Here
Cercle Social Records (2024)

The opening track on Somehow, We Are Here is a statement. Yes, Faulty Cognitions is a punk band with members of Low Culture, Shang-A-Lang, Nocturnal Prose,and more. Yes, this shares a lot of commonalities, but it’s also a new band with a new sound. The band humbly says they were going for an early, jangly R.E.M. vibe but self-confess that it has more of a Replacements thing going on … Read more