Review
Wang Wen
Invisible City

PELAGIC RECORDS (2018) Cheryl

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. 

Wanting to record something warmer than the previous record, Sweet Home, Go!, the band decamped to Iceland to bring their vision to life. It’s not immediately obvious where the warmth is within this new album but “Mail from the River” uses its closing moments to boost the sound and gives fuzzed out feedback a dominant space within what is otherwise a fairly gentle song. “Lost in Train Station” and the incredible movement of “Silenced Dalian” build towards gorgeous melodies and that hazy gauze that Wang Wen are wont to do so often. 

There are moments, however, where the music meanders somewhat and this is something that Wang Wen have not yet managed to rein in within their music. Where songs feel that they could be over, the band continue to play with the rhythms for far longer than is necessary and this gives Invisible City a disappointing edge. There are definite highlights to be found here but Wang Wen’s self-control is not one of them. 

6.0 / 10Cheryl • March 25, 2019

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

Related news

New from Wang Wen

Posted in Records on November 26, 2022

Wang Wen's 11th album

Posted in Records on July 24, 2021

SPB exclusive: Wang Wen's Sweet Home, Go!

Posted in Records on October 4, 2016

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more