Review
Wang Wen
Invisible City

PELAGIC RECORDS (2018) Cheryl

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. 

Wanting to record something warmer than the previous record, Sweet Home, Go!, the band decamped to Iceland to bring their vision to life. It’s not immediately obvious where the warmth is within this new album but “Mail from the River” uses its closing moments to boost the sound and gives fuzzed out feedback a dominant space within what is otherwise a fairly gentle song. “Lost in Train Station” and the incredible movement of “Silenced Dalian” build towards gorgeous melodies and that hazy gauze that Wang Wen are wont to do so often. 

There are moments, however, where the music meanders somewhat and this is something that Wang Wen have not yet managed to rein in within their music. Where songs feel that they could be over, the band continue to play with the rhythms for far longer than is necessary and this gives Invisible City a disappointing edge. There are definite highlights to be found here but Wang Wen’s self-control is not one of them. 

6.0 / 10Cheryl • March 25, 2019

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

Related news

New from Wang Wen

Posted in Records on November 26, 2022

Wang Wen's 11th album

Posted in Records on July 24, 2021

SPB exclusive: Wang Wen's Sweet Home, Go!

Posted in Records on October 4, 2016

Recently-posted album reviews

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Dead Boys

Night Of The Living Dead Dolls
Cleopatra (2025)

Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and … Read more

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more