Review
Wang Wen
Invisible City

PELAGIC RECORDS (2018) Cheryl

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

China isn’t the first country you think of when it comes to rock music but over the last two decades, Wang Wen has been placing their home on the musical map and in Invisible City the band brings a range of new emotion to their instrumental work. 

Wanting to record something warmer than the previous record, Sweet Home, Go!, the band decamped to Iceland to bring their vision to life. It’s not immediately obvious where the warmth is within this new album but “Mail from the River” uses its closing moments to boost the sound and gives fuzzed out feedback a dominant space within what is otherwise a fairly gentle song. “Lost in Train Station” and the incredible movement of “Silenced Dalian” build towards gorgeous melodies and that hazy gauze that Wang Wen are wont to do so often. 

There are moments, however, where the music meanders somewhat and this is something that Wang Wen have not yet managed to rein in within their music. Where songs feel that they could be over, the band continue to play with the rhythms for far longer than is necessary and this gives Invisible City a disappointing edge. There are definite highlights to be found here but Wang Wen’s self-control is not one of them. 

6.0 / 10Cheryl • March 25, 2019

Wang Wen – Invisible City cover artwork
Wang Wen – Invisible City — PELAGIC RECORDS, 2018

Related news

New from Wang Wen

Posted in Records on November 26, 2022

Wang Wen's 11th album

Posted in Records on July 24, 2021

SPB exclusive: Wang Wen's Sweet Home, Go!

Posted in Records on October 4, 2016

Recently-posted album reviews

Bitter Branches

Let's Give The Land Back To The Animals
Equal Vision (2026)

Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more

Top Jimmy & The Rhythm Pigs

Pigus Drunkus Maximus (Reissue)
Blind Owl Records (2026)

If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more