Review
Year Of The Goat
Angels' Necropolis

Ván (2012) Cheryl

Year Of The Goat – Angels' Necropolis cover artwork
Year Of The Goat – Angels' Necropolis — Ván, 2012

Year of the Goat haven’t had the best of starts in life – injury, great upheaval, internal friction and possibly more has meant that the Swedish quintet have had to push back the release of their debut Angels’ Necropolis further than they imagined. Praise Satan then, that the record finally sees the darkness of their retro sound birthed into the shadows with classic tones and occultic structures. It’s been a funny old year for the Devil, bands have risen from the depths of Hell to glorify His name in many different ways yet the standard for mystical movements has been deeply rooted in the vibrations of the 1960s/70s landscapes. It’s curious that this type of music has somehow completely reinvented how we see bands calling on the Unholy one and its bands like Year of the Goat that have spurred on such a terrifying aspect of the dark side. The Devil’s Blood, Ancient VVisdom, and Sabbath Assembly are all groups that invoke the dank mysteries of the lower abyss and Year of the Goat owe as much to such peers as they do to the more metallic side of the spectrum – see Watain, Secrets of the Moon et al for comparison and the obvious nods to the masters Black Sabbath.

Angels’ Necropolis is a record of obvious darkness told with a traditional narrative and clean infectious melody – “A Circle of Serpents” - and the title track throws in some nifty vocal lines from Thomas Sabbathi that veer towards the hypnotic and before long you’re completely entranced before you even realise how far you’ve fallen. “Voice of a Dragon” breathes with the flame of terror whilst the guitars stir the fires of a passion for the unknown, climbing towards an ever moving entity of the most blasphemous nature.

It’s delightfully mesmerising and Year of the Goat are enthralling in the most deviously sinister way. They trick and treat their way through Angels’ Necropolis with such style and devilish grace that it’s difficult to tear yourself away even when you’re left wondering just how far down the rabbit hole you’ve gone, and whether there’ll be something following you for all the rest of your days. Watching. And waiting.

8.5 / 10Cheryl • January 7, 2013

Year Of The Goat – Angels' Necropolis cover artwork
Year Of The Goat – Angels' Necropolis — Ván, 2012

Related news

2015 - Year of the Goatsnake

Posted in Bands on October 27, 2014

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more