67 total search results — Page 3 of 4
SUB/SHOP – Democatessen
Review — January 30, 2026
Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are …
Hoaxed – Death Knocks
Review — February 6, 2026
There’s a fine line between dark rock that feels theatrical and dark rock that feels transportive. On Death Knocks, Hoaxed land firmly in the latter. This is an album that doesn’t just flirt with atmosphere but commits to it fully, wrapping heavy riffs, melodic hooks, and occult-tinged drama into …
Awful Din – Anti Body
Review — February 8, 2026
There’s a certain honesty that only comes from bands who’ve spent years playing to half-filled rooms, basements with bad wiring, and bars where the PA is optional. ANTI BODY, the new LP from Brooklyn emo punks Awful Din, sounds like it was built in those spaces. Not as a …
Place Position – Went Silent
Review — February 8, 2026
There’s a certain kind of band that makes sense immediately once you see them live. Place Position is one of those bands. Before Went Silent ever landed on my speakers, I caught them at a show I played in Dayton, and they were the kind of band that quietly steals …
Dewey – Summer On A Curb
Review — February 13, 2026
If you like your pop melodies wrapped in fuzz, your shoegaze grounded in real songwriting, and your records best experienced front-to-back on a quiet night, Dewey’s debut is absolutely worth your time. There’s something disarmingly unpretentious about Summer On A Curb. Dewey don’t arrive with a manifesto, a scene-policing …
Pageant Mum – Finis Amoris Est
Review — February 14, 2026
Breakup records usually announce themselves with a band. There is betrayal, shouting, and doors slamming shut. Finis Amoris Est, the new EP from UK post-hardcore outfit Pageant Mum, takes a different route. It’s a record about what happens after the blowup, when the noise dies down and you’re left …
Elway – Nobody’s Going To Heaven
Review — February 21, 2026
There’s a specific kind of punk record that doesn’t try to inspire you, doesn’t bother offering solutions, and doesn’t pretend things are going to work out in the end. Nobody’s Going To Heaven is firmly planted in that tradition. Elway returns sounding less interested in rallying cries and more invested …
Exhumed – Red Asphalt
Review — March 1, 2026
There are few bands in extreme metal who understand their own lane as well as Exhumed. For nearly three decades, Matt Harvey and company have made gore feel theatrical, technicality feel fun, and deathgrind feel almost celebratory. Red Asphalt doesn’t rewrite that formula but weaponizes it, straps it into the …
Pacifist – Five
Review — March 5, 2026
There’s a reason five doesn’t feel like just another EP title. This isn’t a casual release or a stopgap between bigger moves but a line in the sand. On their latest five song statement, Bombay’s Pacifist sound fully aware of the lineage they’re working within, and just as aware of …
Dream Fatigue – No Requiem
Review — March 13, 2026
There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born …
Poison The Well – Peace In Place
Review — March 20, 2026
There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it …
Mauled – When Your Eyes Are Shut
Review — March 28, 2026
Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos …
Jet Black Maps – 6 Years Overnight
Review — April 4, 2026
There’s a certain kind of melodic punk record that doesn’t try to prove anything. There’s no scene positioning, no trend chasing, no desperate grab for relevance. 6 Years Overnight, the debut EP from Binghamton, NY trio Jet Black Maps, lives comfortably in that space. It’s the sound of three …
UDDER – Self Titled
Review — April 11, 2026
Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not …
Palette Knife – Keyframe
Review — April 12, 2026
There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The …
Sealer – Sealer
Review — April 18, 2026
Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one …
The Crosses – Outlier
Review — April 18, 2026
There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread …
Latchkey Kids – Years Of Summers
Review — April 19, 2026
Growing up is rarely cinematic in real time but when you look back, it can feel mythic. On Year Of Summers, New Jersey’s Latchkey Kids frame heartbreak, identity, and grief through something closer to epic storytelling than simple emo confession. It’s a record that understands the drama of youth …
Dashed – Self Titled
Review — April 24, 2026
When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through …
