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Reviews by Gregg-harrington

11 total search results

Minus the Bear – OMNI

Review — November 7, 2010

It’s no secret Seattle’s Minus The Bear is at the forefront of the complex indie-pop movement. With their fourth full-length, Omni, the band continues their stay at the top, but in a different way than before. On this new album, the band turns up the pop factor more, with …

Trash Talk – Eyes And Nines

Review — November 8, 2010

Over the five years of their existence, Trash Talk has been consistently evolving and changing with each release. With Eyes And Nines, their newest full-length, the band shows their top-notch progression once again.Produced by Joby Ford of The Bronx, Eyes And Nines pulls no punches as far as …

Terror – Keepers Of The Faith

Review — November 17, 2010

Some of my most unforgettable moments in hardcore involve Terror. I first saw them headline a show after I trudged through a harsh January blizzard, where a 20 minute drive turned into almost an hour-long commute thanks to Pittsburgh’s signature winter weather. They played direct support when I saw one …

Cipher – The Joyous Collapse

Review — November 22, 2010

Cipher is one of those bands that if you were to describe their unique sound to someone, they would undoubtedly be left scratching their heads and asking, “what is it that makes this band good again?” I always put up with quite an internal and external struggle when describing the …

Old Accusers – Of And Beyond

Review — April 25, 2011

Technical prowess and hardcore usually do not go hand in hand. It seems that many bands in the genre succumb to the generic characteristics of heavy music, both musically and lyrically. However, on rare occasions there are bands that come along and throw out all modern convention and really think …

Ancient Shores – Step To The Edge

Review — May 2, 2011

This may not come as a shock to anyone, but West Virginia isn’t exactly the breeding ground for heavy music. Anyone that has crossed into the state’s border would know that it’s the estranged son of the south. However, sometimes a shock will come in the form of a band …

Weekend Nachos – Black Earth

Review — May 9, 2011

Since the release of 2009’s Unforgivable, Weekend Nachos has been taking the hardcore scene by storm with their signature blend of modern down-tuned hardcore and old-school powerviolence. Signing on to work with A389 Records, run by Pulling Teeth guitarist Dom Romero, the band has crafted the four-song EP, Black …

Deafheaven – Roads To Judah

Review — June 20, 2011

When I initially read about San Francisco’s Deafheaven, I didn’t expect to be surprised by their recordings. Anytime I see the “black metal” label, even when citing a slight influence on a band, I instantly believe that the label is misused and have no interest in checking the band out. …

Kingdom – Threads

Review — July 4, 2011

In a time where the only things that garner a hardcore band’s attention is how heavy they are, it’s hard to find bands with an actual proactive message. Everywhere you turn, the next hype band has little to nothing to say lyrically but are the most talked about based on …

Anthony Raneri – New Cathedrals EP

Review — August 6, 2012

While he’s best known as the front man for Long Island pop-punk juggernauts Bayside, Anthony Raneri has been making a name for himself as a solo artist for some time. Participating in the inaugural Where’s The Band tour a few years back, Raneri charmed crowds with acoustic renditions of …

Code Orange Kids – Love Is Love//Return To Dust

Review — November 19, 2012

Much of the press that Pittsburgh-based hardcore act Code Orange Kids garnered with the release of its debut 7” Cycles late in 2011 was centered on the young age of the members. Almost a year later, the band has gone through three pressings of Cycles, signed to Deathwish, Inc., …