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Reviews by Neil

33 total search results — Page 2 of 2

Chihei Hatakeyama – Minima Moralia

Review — March 22, 2006

Minima Moralia is ambient artist Chihei Hatakeyama's debut solo album, with his prior musical output coming via his electro-acoustic duo Opitope and the improv group Copa del Papa. Additionally he co-runs the Kualauk Table record label and helps organize the "continuous live performance event" (i.e. "music festival") Kuala Mute Geek. …

Yeah Yeah Yeahs – Show Your Bones

Review — March 26, 2006

In wake of the hurricane of hype that followed the landing of The Strokes, I did my best knee jerk reaction in 2002 and flat out dismissed the Yeah Yeah Yeahs. In fact, anything with a pair of ripped jeans and a NYC zip code got the preverbal Ricky Lake …

Cannibal Corpse – Kill

Review — April 19, 2006

I initially prefixed the heading of this review as "Neil vs. Cannibal Corpse"; such was my preemptive assumption that I would hate Kill. I set myself ready for war. God knows from the off I was handed a plethora of ready material to systematically destroy the band. I mean, just …

The Sea, Like Lead / Belegost – Split

Review — May 3, 2006

It's a Saturday afternoon and I'm at present stuck at work flipping through a copy of the latest Alternative Press magazine. Good literature it isn't, an easy read between calls it is. This particular issue sitting in my lap contains a feature on the hundred bands that are going to …

Hi Red Center – Architectural Failures

Review — May 17, 2006

Hi Red Center hail from Brooklyn, New York and Architectural Failures is their debut record, initially recorded in 2004 but finding a home the following year at Pangaea Recordings, home of Capillary Action. The band mixes a wide variety of influences to creature the fairly unique offering which is presently …

Ghostface Killah – Fishscale

Review — May 30, 2006

If "The Champ" has not, by the time of publication, been mass produced onto 12" record and shipped to every club DJ in the hip-hop speaking world then there is something truly fucked with the world. You see, with summer fast approaching the dance floors of the world are screaming …

Ampere / Sinaloa – Split

Review — June 11, 2006

No bullshit, no posing. Just two of the best bands in the DIY hardcore scene releasing a split together. Nearly half an hour of new music for you to feast your ears on. Ampere dominates the first seven tracks, with an emphasis very much on the domination. Furious, chaotic emo-violence …

Casiotone for the Painfully Alone – Etiquette

Review — June 20, 2006

My initial experience with Casiotone for the Painfully Alone (henceforth referred to as simply 'tones, to save me a fair bit of typing) was not an audio one. Rather, for sometime the only working knowledge that I had of the band was their lyrics which I read through after Soulseek …

Boris – Pink

Review — June 20, 2006

Initially released late last year on Japanese label Diwphalanx, Pink now finds a worldwide release through Southern Lord. It also see's the band at their scuzzy rock best. Similar in sound in many ways to their 2005 Southern Lord release, Akuma No Uta, but upping the ante considerably with …

Guiltmaker – Driven By Arms

Review — June 20, 2006

Despite featuring ex-members of Combatwoundedveteran and Reversal of Man, Guiltmaker is distinctly less heavy than you might initially assume they would be. In fact the band does a fairly catchy take on the mid 90s emo rock/ post hardcore sound. Reminiscent of both bands like Rival Schools, Jets to Brazil …

Escape the Fate – There's No Sympathy for the Dead

Review — June 29, 2006

Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be …

Soul She Said – As Templar Nites

Review — July 21, 2006

Putting their best foot forward from the off, Soul She Said's debut record opens with what is easily its strongest track, "Sunken City." Strongly influenced by My Bloody Valentine, early Primal Scream and probably a whole host of hallucinogens, it's the prefect balance to the Icarus Line's dark back alley, …

Erase Errata – Nightlife

Review — August 14, 2006

I fear it may happen one day; someone will slip up, let the cat out of the bag, and give the game away. Someone may, one day, tell Erase Errata that it isn't 1981 any longer. Basquiat is dead, Sonic Youth isn't so youthful anymore and John Hinckley Jr. was …