Blog — Page 147 of 281

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Aesthetics Equals Politics book review

Posted by T • July 15, 2019

Aesthetics Equals Politics: New Discourses across Art, Architecture, and Philosophy

The MIT Press

 

There are a range of quotes that came to mind from the title along, e.g. Paul Rand’s formulation that design can be art or aesthetics, i.e. the idea of beauty, and that the fact that it is so simple, is why it is so complicated.

When it comes to politics, Dante Alighieri was spot on when he came to the realization that the darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis.

What Aesthetics Equals Politics: New Discourses across Art, Architecture, and Philosophy revolves around is the framework that informs human interaction and engagement at large, be it politically or socially.

Comprised of a range of essays, the tome starts off with framing common ground when it comes to a definition of aesthetics, i.e. something that is not confined to subjectivity or denominators dependent on taste but casting a wider net that captures human activity at large and thereby informs political and societal developments. Bottomline is that despite activists having used an anti-aesthetic approach to effect political changes, this new approach which examines and questions man’s relationship with objects and environments, is ultimately more impactful as it inevitably will arrive at relationships and result in political change.

The wide array of angles from which the subject matter is being tackled is intriguing as it does not only involve philosophers but also artists, luminaries from fields such as architecture and media, which aid in making a comprehensive case and sheds light on the fact that even though the contributors might be home in an unrelated field to yours, there is common ground.

I found the essays pertaining to the perception of reality and the abstraction in ethics particularly enlightening and would recommend this book to anyone who is looking for food for thought and to broaden their horizons.

T • July 15, 2019

Zirk! Circus @ Moore Park

Posted by T • July 12, 2019

ZIRK! CIRCUS SYDNEY OPENING NIGHT

Moore Park

Sydney, Australia

July 6, 2019

As the Colombian sculptor and figurative artists Fernando Botero put it oh so eloquently: “

The circus allows one to be logical and unreal at the same time. In the circus, all is possible: there can be a man with two heads or a character with a green face.”

Life can be and most of the time is a circus so whatever is portrayed and performed in the actual one has become less detached and at times more of a reflection of the daily humdrum.

But enough of the allegories - ZIRK! CIRCUS – The Big Top Spectacular incarnated for the first time on terra australis and what materialized under the chapiteau at the opening night was a melange of high calibre acts performed by artists that have honed their crafts under such world-renowned umbrellas like always touring  Cirque Du Soleil, The Russian State Circus or the American traveling extravaganza under the guidance of Barnum and Bailey as well as the Swiss National Circus.

The fact that ZIRK! Is performed within the confines of a more intimate big top, ensures that no matter where one is seated, you are bound to experience the daring acts up and close.

Hosted by the conferencier and Master Russian Clown, Dmitry Shindrov, feats included such awe-inspiring feats like the gravity defying ‘Double, Double Giant Wheel’; acrobats that effortlessly performed acts in aerial heights that I would applaud if performed on terra firma and contortionists that channel their alchemy in ways that seem not in congruence with logic.

Precision is what stands out as the common denominator when it came to e.g. the dexterous   jugglers, whose dexterity is something to be marvelled at as well as the beauty created by the symmetry of the graceful trampoline performers, who are all set in scene under the benign guidance of the creative team whose curation framed the evening in a coherent whole that ends up being much more than the sum of the individual acts.

Apart from the state-of-the-art acts, ZIRK! is an homage to the traditions and skills that originated as part of the Russian circus, whose DNA is married and transported into fast paced day and age.

ZIRK! is one to look out for, no matter if circus is not usually your cup of hot beverage or if you are an aficionado.

T • July 12, 2019

Water of Life – Amrut Naarangi and Kadhambam

Posted by T • July 10, 2019

Water of Life – Amrut Naarangi and Kadhambam

 

I have always had a weak spot for sludge metal from New Orleans and Down’s “Bury me in smoke” is a song that we have done a cover version of, however, in a bid to pay homage to my weak spot for liquid emissions coming from Islay, I changed the lyrical content to culminate in “Bury me in peat”.

Over the course of our series, I have covered quite a few heavyweights from the realm of smoky and peaty whiskies, Ardbeg and Bruichladdich being some of my favourites. I am a simple man and my appreciation for a distillery is usually growing in direct proportion to the time the barley grain is exposed to the pungent peat smoke during drying.

Then there are distilleries with expressions whose peated expressions are of a fulminant calibration that triggered the development of a new appreciation for what can be achieved if it is approached in a subtler manner.

Enter Amrut.

Their peated expression has become one of my favourites, which transitioned into an appreciation for their unpeated varieties as well – an interest that triggered me to dig deeper.

Amrut’s Kadhambam is sourced from a melange of regular and peated whiskies, which have matured in a variety of cask, e.g. ex-oloroso, rum and brandy – a fact that is not further wondrous as the etymology of the name leads us to what this expression is in its essence: A mixture and one that is extremely delicious.

The peat is very subtle on the nose and substantiated by oak and vanilla, resting on a bed of honey. What materializes on the top of the roof is spicy with highlights of cinnamon and a not too overwhelming sweetness before the elongated finish leaves me smacking my lips lusting for more of the smoky tobacco finale.

The mouthfeel was easy, but toward the back of the tongue. The finish was smoky, spicy, with cinnamon and nutmeg, and a touch of fruit-sweetness as it faded to tobacco at the end.

I have heard a lot of mixed reviews about the Kadhambam and how much of an experiment it was. Upon tasting, I came to the conclusion that Amrut head distillers must have known exactly what they were going for as the Kadhambam hits the spot in a manner than cannot simply be the result of an experiment. A superbly composed dram that can be had at all times of day.

Another Amrut expression I recently tried is the Naarangi. Now, this one sounded much more exotic to me than the Kadhambam as apparently orange peels are added to the mix before being left to season and further maturation. Again, Amrut is not beating around the bush with “naarangi” meaning exactly that in Hindi, i.e. “orange”.

Not surprisingly, the nose is characterised by fruity nuances but also peppery bits as well a hint of more earthy and oaky notes.

On the palate, sweetness is of course – as one would expect – a dominant forces, however, it is well calibrated and is flanked by chili, chocolate, vanilla and, again, a pleasant oakiness. There is a seamless transition to the warming finish, with orange being the driver yet with pepper and tannins make an appearance as well to round out the picture.

Both the Kadhambam and Naarangi expressions are the outcome of exercises in distilling elegance and enrich the portfolio of a distillery that has yet to emit an expression that underwhelms.

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image from company website

T • July 10, 2019

Thus Let Us Drink Beer – Edge Brewing Project

Posted by T • July 9, 2019

Thus Let Us Drink Beer – Edge Brewing Project

 

There seems to be a newer ending influx of newly established breweries dabbling in the creation of craft beers with never not “interesting”, but not always delectable results that hit the spot.

Needless to say that I am getting all the more excited if I randomly come across one that thrills me with its emissions.

It was a late Saturday afternoon when I felt that after a 12km run and a subsequent gym session, I had earned myself a boilermaker. As I was looking for a suitable counterpoint to a peaty whiskey, I consulted my local speciality beer shop about new arrivals and one of the brews that caught my eye was Edge Brewing Project’s collaboration with the Hawaiian Kona brewery. The fruity melange of Australian malt and mangos mixed with hops from the new world proved to be a great choice and triggered me to dig deeper into Edge Brewing Project’s catalogue.

With a focus on locally sourced ingredients, Adam Betts started to instigate collaborations like the aforementioned based on his wide network from his time at a beer importer and distributor – an endeavour that eventually culminated in the founding of Edge Brewing Project.

It did not too long for the world to notice the quality of his emissions, which resulted in accolades galore and high-calibre collaborations like e.g. with Noma, the restaurant voted best in the world multiple times, which gave birth to a specific Restaurant series.

Edge Brewing Project focuses mainly on small batch lagers, imperial stouts and sours, with the occasional IPA thrown in for good measure.

Keeping his operations lean by renting equipment from existing breweries, Adam and his team experiment and only upscale their batches once they have met their standards.

?Apart from the sours, which are an acquired taste at times, my favourites of the Edge Brewing Project is the ?collaboration with Starward Distiller: Using their oak whisky barrels, with this Whisky Barrel-Aged Imperial Stout, Edge Brewing Project carefully calibrated a mix of coffee and milkshake aromas to arrive at a creamy deliciousness that is informed by nuances derived from what the barrels have to contribute, i.e. tannins and oaky highlights.

Another one is what people outside the terrain of terra australis might know from Nick Cave’s musical homage to the man: Stagger Lee, an Imperial Stout.

This one takes things to the next level and is one to spend some time with as its roasted character that extends into a lengthy and pleasantly bitter finish is something to be savoured.

All of Edge Brewing Projects releases are limited in nature to its operations and if you are remotely into quality beers and experiencing new flavour nuances that have been created with skill and not just for the sake of creating novelty brews, I’d recommend to sign up to their mailing list so you do not miss out.

T • July 9, 2019

Water of Life – Sullivans Cove Distillery

Posted by T • July 7, 2019

Water of Life – Sullivans Cove

 

Sullivans Cove is quite something.

Not that the Australian and specifically Tasmanian whisky scenes lack allure – au contraire – fantastic distilleries are not only mushrooming but the established ones keep releasing expressions that make me wish that they would not be as sought after as they are. However, then there is Sullivans Cove, a distillery that as one of the first Australian ones elicited awe when merely mentioned to whisk(e)y fanatics around the globe.

The distillery and its limited expressions have experienced a meteoritic rise that has yet to reach its peak and new expressions tend to be sold out within minutes. The reasons for this will unfold once you indulge in one of their drams – an experience which yet has to not result in me smacking my lips and indulging in the respective lingering finishes.

Needless to say that I was more than mildly excited when I became aware that Sullivans was going to release a curated selection of limited Single Cask Brandies, i.e. Sullivans Cove XO, which is the result of a collaboration between the distillery and Tasmanian wineries from the Huon Valley, which is known for its salmon industry. Needless to say that it would not be Sullivans Cove if they did not age the respective drops in the French or American Oak barrels that have somewhat become a trademark for the distillery.

Sullivans Cove XO was the first one we sampled, and it became instantly apparent that Sullivans Cove’s still seems to lend itself well to the production of brandy: Claiming that the flavour profile is bold and intense would be an understatement par excellence with a lingering taste of the woody spice from Australian port-style fortified wine barrels it was matured in.

The Double Cask Brandy takes things up a notch for me as an array of tasks of have specifically selected in a bid to create and calibrate specific and individually different flavour profiles. After having matured in between ten to fourteen years and housed in ex-wine casks that cover territory from Sauvignon Blanc to Pinot Noir, the result is a complex flavour profile that you want to take time for to experience it in full. I find it hard to stop swirling it and let it go down the hatch, which resulted in frustrated company as conversations had to be put on hold.

The nostrils are teased with fruits of the tropical variety and dominant whiffs of almonds. What then materializes on the palate would take a while to accurately describe and do justice to. There’s a wonderfully vanilla sweetness, fruit and berry notes and just the right amount of tannins, that strike a balance between sweet and savoury with a sheer endlessly lingering finish that I have yet to experience in another brandy.

Let’s close this celebration of Sullivan Cove off with one of their most recent whisky expressions, shan’t we?

To celebrate their twenty-fifth anniversary, Sullivans released a limited-edition Double Cask, i.e. “DC100” with the defining feature that it has been matured in some of the distilleries oldest French oak and ex-bourbon casks. I could not way to indulge in this one and was not disappointed.

The aroma is already a delight in itself as it offers a well-calibrated melange of fruits, vanilla, musky leather and citrussy notes.

On the palate the volume is turned up on rich sweet, honey-esque flavours that are pervaded by minty chocolate nuances and a wonderfully smooth velvety texture. Sounds like a treat in liquid form? Well, it is.

Tropical flavours dominate the finish that rests on a foundation malty and nutty notes, which provides a nice counterpoint.

Not sure if by the time you read this, any of the expressions will be left to purchase, but if you are remotely interested in spirit, you want to sign up for SC’s mailing list to have first dibs on their emissions.

See also: Water of Life - Sullivans Cove

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images from company website

T • July 7, 2019

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