The Formative Years - Acid House

It was during a family holiday to the sandy beach of Arcachon, southwest of Bordeaux as a prepubescent that I spent a whole summer in the thrall of acid house. 

Days were spent with a female acquaintance in the Dune du Pilat and swimming in the Atlantic, drinking Kronenbourg at brasseries and eating oysters.

At night I snuck out to visit the local bars and being a juvenile delinquent interested in heavy metal and punk rock, there was not much that resonated.

After indulging in Pastis with the older youth of the region, I joined them late at night to visit an inconspicuous warehouse. The squelching sounds and heavy basslines emanating from the inside could be heard from a long way off and while I was not particularly interested in electronic music at the time, it sounded intriguing .

Not long after entering and an initial period of feeling a tad uncomfortable and out of place in a night club context, I was dragged onto the dancefloor with little left but to start moving and do as the Romans do. 

What ensued was an immensely enjoyable night and my first exposure to what I much later on learned to classify as an underground “rave”.

The DJs of the night seemed to explore sonic textures by constantly modulating, altering and manipulating the frequency of simplistic and primal bass patterns, which were interweaved with harsh screeching sounds. When I inquired what style of music it was, “acid house” was the answer.

While I was not intoxicated by any substances, I felt entranced by the collective experience and got lost in the dreamy atmosphere, the thick fog and the intense music, thoroughly enjoying being immersed in a crowd of dancing bodies and sharing personal space.

The collective experience of sound, ambience and bodies created a new sense of belonging and a mind-altering experience, which triggered a lifelong appreciation for electronic music and its powers.

Water of Life

Teerenpeli 

While I harbour a fondness for Finland and have visited quite a few times, the land of the thousand lakes is arguably more known for vodka rather than being fertile ground for the production of premium quality Single Malt whiskies. 

Needless to say, I was intrigued when I learned about a Finnish family owned distillery that was not only using traditional pot still distilling equipment from Scotland, but is being lauded the world over for the quality of its expressions based on how they channel their alchemy through access to excellent ground water and premium grade local barley.

My first exposure to Teerenpeli Distillery was via their 10 year old bottling, which has been matured in a combination of bourbon and sherry casks and was originally launched six years ago. 

What tickles the nostrils upon approach is a melange of butterscotch, dark chocolatey toffee and vanilla aromas, accentuated by nectarines, apples and liquorice highlights, which sit comfortably on a backbone of malt.

Things get interesting on the palate with a slightly oily mouthfeel with an initial peppery, spicy kick, which then meanders into fruit candy territory, rounded out by an earthy and savoury oakiness.

The medium-length finish is dominated by an interestingly astringent salty taste, ultimately returning to the aforementioned spicy kick.

Kaski, a reference to preparing a field for a new cycle of farming by burning it, is Teerenpeli’s dedicated sherry cask expression and what initially was only meant to be one off single batch release proved to be so popular that the distillery opted to incorporate it into its portfolio with batches being produced on an on-going basis - a wise move, given the fact that its similarity to cognac resonates very well with the preferences of Finish fine spirits aficionados.

Exclusively matured for six years in sherry casks, Kaski entices the nose with a brown sugary, red fruity and raisiny bouquet, which is counterpointed by earthy, orangey, black peppery nuances.

On the top of the mouth, what the nose promised transitions seamlessly into woody oakiness, interesting bitter notes, a bit of a spicy kick, all of which is sealed with a rich grain-like crescendo.

Nice.

Being a peat aficionado, I was looking forward to sampling Teerenpeli’s Savu expression, the name of which translates poignantly to the equivalent of “smoke”.

Clocking in at 43%, this little number had been napping in Bourbon and Pedro Ximénez sherry casks and is based on peat from the United Kingdom that has been refined in Belgium.

On the nose, delicate nuances of soot and cold smoke sit against a fruity backdrop. 

Flavour-wise there is peat resting on a blanket of delicate smokiness but not of the tested and tried Islay kind: The way spicy undertones are weaved in to play the claviature between sweet and savoury adds layers of complexity with the influence of the sherry casks omnipresent, which continues to reverberate through the elongated finish. 

A fantastic and more-ish drop. I’d love to see where smoking their own peat locally would take it flavourwise.

Summa summarum, Teerenpeli is a distillery that has created its own idiosyncratic Nordic DNA, which honours the traditions of Scotland yet imbues each expression with their very own je ne sais quoi.

Bladnoch Vinaya

I have covered the Lowland distillery Bladnoch and their excellent core range previously as part of this series and have shed light on the fact that after having been acquired by Australian entrepreneur David Prior six years ago and a revamp of epic proportions, it has further blossomed and bloomed through a well-calibrated approach that both honours the legacy of the distillery as well as steering it forward with new and limited editions.

With Vinaya, Bladnoch’s newest expression, the former is being executed par excellence as it is essentially a liquid pale-golden bow to the distillery’ founders with the name denoting “respect” and “gratitude” in Sankrit.

Upon approach, light brown-sugary, grassy and honeyed aromas place the nose on the floral and sweeter side of the spectrum, with sultanas, cinnamon, almonds and a dominant oaty note blending in.

What the nose promised, comes to full fruition on the palate: 

The journey starts on the fruity side of things with juicy nuances of apples blending in with the aforementioned grassy, hay notes, flanked by hints of honey, butterscotch and milk chocolate, before it culminates in a warming cinnamon-spicy climax, which are backed by hazelnutty flavours. 

What is interesting is that the range of flavours do not cancel each other out but elevate on another, resulting in a delightfully complex and layered flavour profile, with all components artfully and harmoniously coming together.

The medium-length has the sweeter notes still reverberate yet leaves the limelight on the oaky maltiness and a spicy, powerful clove-sque punch with comes with slightly citrussy flavours in its wake, evoking emotions of purity and indulgence.

Summa summarum, clocking in at 46.7% ABV, Bladnoch’s Vinaya expression is a rich and indulgent addition to the distillery’s ever expanding portfolio with the maturation in first fill Bourbon and first fill Sherry casks giving it a brilliantly complex flavour profile.

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images from company websites

The Formative Years - Leeway

Desperate Measures from 1991 raised quite a few question marks with me when it was first released and did not enter heavy rotation.

Revisiting it a couple of years later, it was a delight to have more of an understanding to see it for what it was – a masterpiece put out by a band that had evolved in terms of experimentation by merging well-calibrated element of hardcore, metal, thrash and even hip hop to arrive with a for the timely context new and boundary pushing sound of their own.

A factor that certainly contributed to Leeway playing in a league of its own is singer Eddie Sutton's inimitable singing style, which pierces the thick and crunchy foundation of heavy riffs and infuses them with otherworldly melodies.

I will deliberately draw a veil of silence over Leeway’s musical output and albums that followed Desperate Measures, but their first two albums remain timeless guitar-driven, groovy classics that introduced the energy and original song-writing skills that bands like Metallica offered into street oriented punk and hardcore.

With both albums having been released thirty years ago, Leeway’s legacy looms large as with their musical output they manage to still ignite the imagination of hardcore musicians looking to evolve past the confines of hardcore and metal, e.g. bands like Iron Age and Power Trip.

A band gateway band that made me delve deeper into thrash and crossover territory and one that is in my NYHC pantheon right next to The Icemen.

Into the Wild – Zorali gear,  tunes and silence.

I dig hiking as much as the next man and have done a fair share of backpacking in my time, both because of the need to make a virtue out of a nexessity, i.e. tight budgets, but also in a bid to deliberately get out there and engage directly with what Mark Twain referred to as “the territory”.

Especially in more remote corners of this earthround, roaming with little more than a backpack has its appeal, e.g. climbing the sacred mountains of China, the hills of Papua New Guinea or Tibet.

Music is of course a steady companion and it has its advantages to turn up the perfect soundtrack at the push of a button to bathe in whatever nature has to offer and soak in its splendour, however, there is also something to be said for not being serenaded all the time by your favourite tunes as the exposure to the sounds of new and never before explored surrounds in the outdoors can be an extremely giving source of inspiration and beauty.

There is certainly music that seems to have been made with the great wide open and freedom in mind.

If you expose yourself to the element off the beaten track chances are that you will get your ass kicked by pretty much everything you could and could not plan for, be it weather conditions or having underestimated the toll climbs, elevations and distances would take.

When I first started travel that entailed hiking, I naively thought that a hoody, comfortable pants, sturdy footgear, a rain jacket along with a backpack would do the trick, which is essentially not wrong.

However, getting the quality, durability, versatility and weight of the gear right proves to be essential if you do more than go for something more than a walk in the countryside of wherever you reside. As you might guess, cheap and flimsy gear from flashy brands is not exactly what you’d be looking for. 

All the better when the founders of the outdoor gear brand you choose created their gear spurned by their love for the outdoors and extensive experience when it comes to conquering difficult territory, which is the entity known as Zorali entered my world.
Zorali’s ethos is based on the ideas of sustainability, the thrive to push themselves to do better and that getting out there is nurturing one’s soul. Not a bad start.

The fact that their gear is easy on the eye does paired with the use of environmentally certified natural fibres like hemp, recycled fabrics and cotton does not hurt either.

When going for hikes on the extensive and strenuous end of the spectrum, breathability is a major factor, which is e.g. where Zorali’s Stash-It Packable borderline weightless anorak comes in.

Made from recycled ripstop polyester, this little number is not only ideal for hikes, but has become a trusted companion even for formal occasions to shield me from the elements whenever need be. Subtle and elegant in design, it could not be a more versatile everyday carry essential.

For hikes during the colder months of the year, breathable and warm socks as well as beanies are essential. Bonus points if in the sock department along with moisture wicking attributes, a tad bit of cushioning is provided as with Zorali’s merino wool ones. The Southerly Buster beanies live up to their name in that the wool base ribbed-knit style not only keeps you warm when needed but draws sweat away while repelling rain.

Over the last eighteen months with borders locked down on terra australis, plans galore have been made in regards to making the most of the next travel overseas and no matter the climate, chances are that Zorali gear will be a steady companion.

The Formative Years - Die Kreuzen

There are bands that you listen to once and they are etched into your brain forever.

I vividly remember when I first heard Die Kreuzen’s first album , which included their newly recorded versions of the tracks from their debut 7” Cows and Beer. It was during one of my regular phone calls with an older scenester, who I struck up a friendship with in my early teens to learn more about punk and hardcore. The record was playing in the background and I could not believe my ears. He was kind enough to record it on a cassette tape and mailed it to me.

I was hooked immediately by the velocity and tight delivery of the twenty-one songs, all of which are explosive in nature yet for the genre and its timely context they were recorded, i.e. 1984, it was insanely well-executed, crisply recorded and articulated. I had to get the vinyl and included it in my next order from Touch & Go Records.

Incorrectly named with the intention to be the Teutonic equivalent to “The Crosses”, Die Kreuzen sounded furious, raw and maniacal – it was a sonic whirlwind pressed onto vinyl, with the screamed, possessed sounding vitriolic vocals only adding to the appeal that the trebly distorted guitars and the off-kitler galloping drums laid out.

A perfect album with a sound that has inspired a myriad of iconic bands and provided pretty much the template and opened doors for bands like ABC Diabolo and Rorschach.

Having recently revisited Die Kreuzen’s discography, it was interesting to see the development to the second album, which saw them adapt a deliberately softer, new wavy conceptual sound, culminating in their third album, Century Days, which saw not only Butch Vig at the helm of production but had incorporate a piano and a horn section with the trademark screechy vocals being the only constant, before anticipating what would become grunge with their album Cement in 1991.

If there ever was a hardcore punk that was lightyears ahead of its time in the first half of the 1980s, Die Kreuzen would definitely be a contender with their thrashy energy, well-thought out song structures and on-point delivery