Quite literally, a one question interview. Also known as 1QIs, we post these first to our social media on a near-daily basis, with the archival piece here. Check 'em out.
Ryan Jones (Body Stuff)
SPB: Is there a specific piece of equipment that’s essential to “the Body Stuff” sound?
Jones: "Yeah man, I'd say the one thing that comes out of the speakers that is a MUST is the drums. Those are some Steven Slate drum triggers!!!"
Noel (Grumpster – drums)
SPB: You just released a new 7", following last year's full-length. What is your favorite format of record (EP vs LP) to listen to as a fan?
Noel: LPs! We feel like a longer release can be more cohesive, and indicative of the artist(s) at the time of release; an LP can almost define …
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Chris McNeal (Vincas – bass)
SPB: What bass/amp pairing do you use and why did you choose it?
McNeal: When I was a kid, every band I saw that had an awesome bass player seemed to play thru a old SVT bass head paired with a 8x10 bass cab. After seeing and hearing many ear destroying shows with …
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Storm Ross
SPB: Is there a single piece of gear that you would say is the most essential to “the Storm Ross sound”?
Ross: As you can see in the video, I primarily play a 2008 Gibson SG Custom. I run this through an array of pedals, ending with a looper that then goes into my amp, a …
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Rick Jimenez (Extinction A.D. – guitar/vocals)
SPB: Did you experiment much with different equipment, setups, mics or equipment when recording Decimation Treaty? Did any particular item stand out?
Jimenez: While we recording Decimation Treaty we actually experimented quite a bit with different amplifier and cabinet combinations. We quad-tracked the rhythm guitars like we tend to do and, …
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Chris Rest (Lagwagon – guitar)
What model guitar do you play (and how did you choose it)?
Check out Chris' answer below:
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TN (...But the Shadows Have Foes)
SPB: How much space in your home is dedicated to music storage (instruments or records)?
TN: I've had to move cross-country for work a few times, so I sadly wound up paring down my record collection from its staggering heights in my early twenties. However, I've managed to live in the same …
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Stu Folsom (SpiritWorld)
SPB: Your musical inspiration (heavy + country) combines two worlds. Was that part of the concept behind the project’s name, which is also a melding of two worlds (of sorts)?
Folsom: That is interesting. I'd like to say I was that on the ball to tie everything in but no, the name is an homage …
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Cory (Bar Tape)
SPB: If I understand correctly, you’re all US expats now living in Dublin. Was it hard to acclimate to the scene in a new country?
Cory: We’re lucky enough to have been embraced by both the hardcore and punk scene in Ireland.
After we started, our friends gave us a chance to play a …
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Jim (Boilerman - guitar)
SPB: What's the most overrated guitar feature? eg. whammy bars, D-Tuna?
Jim: I don't know about overrated, but my most hated guitar feature is the floating bridge. The Dan Electro guitar I use for Boilerman doesn't have one, but the guitar I learned on did and it caused me nothing but trouble as a …
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Kepi Ghoulie
SPB: What guitar do you use in your solo material, and how did choose this model?
Kepi: Lately is has been a Martin 00-15M acoustic. I am on my 2nd one! I got one a little over 10 years ago, I think. I played over 500 shows on it and it was signed by Daniel Johnston! …
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Jem (DEAD - drums, WeEmptyRooms – label operator)
SPB: Walk us through your kit and offer insight as to how you arrived at your sizes (shells and cymbals)?
Jem: I have never owned a complete, matching kit and probably never will. I'm a tone chaser and I imagine when I find the "perfect" kit is when I will …
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Lance (Caffiends – guitar)
SPB: From when you were starting out to now, what parts of your (gear) setup have really helped voice your sound over the years?
Lance: Wow, I would have to say all of our gear is really important for our sound. Haha, I mean over the years, I have learned that just turning on, …
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Marc Diamond aka The Fresh Prince of Darkness (The Dwarves)
SPB: What is your gear setup when playing with the Dwarves and why did you choose what you did?
The Fresh Prince of Darkness: When we tour, be it foreign or domestic we don't bring our own gear. We have the support band carry the backline. But to …
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Patrick (Eye Flys-drums)
SPB: Who is the first musician whose technique or technicality really stood out to you?
Patrick: Easily, Dave Grohl. When I was 10 or 11 I was into Metallica and Guns N’ Roses and things like that. I was right in the pocket for "Grunge," so when I saw Nirvana on TV as a kid …
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Adam (Pilkington)
SPB: In the past the vocals were a shared duty. This approach is almost completely abandoned. What changed?
Adam: We were lucky to have a few different really talented songwriters in the band. Becca had started writing more as we prepped for our LP and was beginning to come up with some of the tracks that …
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Rorik Brooks (Cloud Rat – guitar)
SPB: What amps do you use in Cloud Rat and how did you make that decision?
Brooks: Currently I'm using two Dean Costello HMW guitar amps and a Gallien Krueger 700 RB bass amp. I run them via two ABY pedals, and a Boss poly octave pedal and limiter for the bass …
Josh (Asbestos Worker)
SPB: You play everything yourself – What pieces of equipment are the most essential to “the Asbestos Worker” sound?
Josh: The number 1 most important pieces of equipment that is essential for the Asbestos Worker sound is on my pedal board. I use Robo Pedals exclusively and I don't think I could live without them. …
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Adam (Tongue Party – bass)
SPB: What is your amp setup and how did you choose to pair that with your guitar?
Adam: So I used to use nothing but old Peavey bass heads but I kept frying them and blowing them the fuck up. I love that old Peavey gear though. That being said, the mix I’m …
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Jon (The Path – vocals)
SPB: Who does the majority of the band’s driving while on tour? (Any related stories about why?)
Jon: I do vocals in The Path and I do the vast majority of driving when we head out of Vermont.
When I first read the question it seemed like it would be difficult to …
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