Feature / One Question Interviews
Adrift for Days

Words: Loren • June 22, 2015

Adrift for Days
Adrift for Days

Lachlan R. Dale (Adrift for Days, Art As Catharsis)

SPB: How has the increasing digitisation of music changed your listening habits?

Dale: A very good question, and one I often reflect on.

There is no doubt that the digitisation of music has dramatically increased access while also increasing supply through reduced production costs.

The effect for me, personally, is that I am flooded with a supply of new, unique, and varied music on a constant basis. Selfishly this is an awesome thing, as it provides me with constant stream of inspiration and allows me to discover new, niche artists easier than ever before.

 

Last year I began using Spotify, which I have mixed feelings about. While I don't agree with its unethical payment structure - and would happily pay much more for the service - the access it provides is unrivaled. As a tool it is incredible, and I see a streaming model such as Spotify as the likely future of digitised music.

Since I began using Spotify, I rarely download music (which, as a format has the disadvantage of needing to be transferred between devices), and have long stopped buying CDs. My stacks of thousands of compact discs gather dust in a corner of my room. While I spent many years and thousands of dollars building my collection, they seem now superfluous; a format superseded by its physical limitations.

Partially through guilt, I have turned to building a vinyl collection. At the moment I only listen to my records a few times a week, and almost see my purchases as a symbolic way to support an artist - which seems insane. Perhaps in my next home I will invest more heavily in a high-end sound system to enjoy my records.

There is no doubt that the digitisation of music has dramatically undermined its value - infinite reproducibility is bound to have that effect. 

As someone who plays in a number of bands, and runs a record label, the future of music sales is profoundly uncertain. I'd be curious to hear other's thoughts.

Loren • June 22, 2015

Adrift for Days
Adrift for Days

Related features

Post Office Experiences

Music • March 10, 2026

In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, … Read more

Spite House

Interviews • March 7, 2026

There’s a quiet weight to Spite House that doesn’t rely on volume or spectacle. Their songs sit in the uncomfortable space between anger and reflection, carrying emotional honesty without turning it into a performance. Their growth is shown on Desertion, their most fully realized material to date. Preparing for an … Read more

Black Adidas

One Question Interviews / What's That Noise? • March 5, 2026

Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more

Dromedary Records

One Question Interviews • March 3, 2026

Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more

Ultrabomb

One Question Interviews • March 2, 2026

Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting.  Read more

Related news

More from this section

Black Adidas

One Question Interviews / What's That Noise? • March 5, 2026

Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more

Dromedary Records

One Question Interviews • March 3, 2026

Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more

Ultrabomb

One Question Interviews • March 2, 2026

Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting.  Read more