Feature / One Question Interviews
Earthset

Words: Loren • October 10, 2020

Earthset
Earthset

Earthset

SPB: You released a live soundtrack to L’Uomo Meccanico at the start of the year. As a project so focused on live performance, how have this year’s COVID-19 restrictions impacted your creative process?

Earthset: The Covid-19 crisis had a huge impact on our project. Here in Italy things were really bad at the beginning, so places such as cinemas, theatres and concert halls were the first ones to be closed by our government. Our tour was cancelled and many opportunities we had to perform also abroad (Germany and France) were postponed until the situation is under control.

We’re trying to do the best we can to play some gigs respecting all the restrictions. We think music lives in the relationship between people, and that is something you can’t “stream,” so we don’t like online shows. We don’t criticise whoever does them, we just don’t feel they fit with our musical approach.

Besides, a cine-concert is a hybrid show that can be adapted to the Covid-19 security protocols, since there’s a film and people are usually sitting down. The real issue is that to keep interpersonal distance you must reduce the audience to one-third of the regular capacity, which means less tickets and less people. So in order to cooperate with promoters, we are doing gigs where we play two shows in the same evening. It’s a hard time for everyone and we think that also us, as artists and performers, must do our part to keep live music going, even if it means giving up on something or making a bigger effort.

There is more to be gained than lost.

Loren • October 10, 2020

Earthset
Earthset

Related features

East End Redemption

Interviews • March 24, 2026

Punk’s never been about polish. It’s about passion, sweat, and the grind it takes to keep going when most people quit. East End Redemption carry that spirit like a trophy. Out of the East Coast underground, they’re mixing hard-earned experiences with the urgency of a band that still believes in … Read more

Meth

One Question Interviews • March 18, 2026

Seb Alvarez (Meth) SPB: Is there a regional food you look forward to when you go on the road? Alvarez: Gravy lunch Read more

Remina

One Question Interviews • March 17, 2026

Heike (Remina) SPB: In the artwork of the last two releases (the EP Erebus and the album The Silver Sea) the black and white art is highlighted with a red accent. It feels like it is part of a story, is this the case? Heike: Throughout all the artworks, there … Read more

The Went Wrongs

One Question Interviews • March 16, 2026

Steven Douglas Jenkins (The Went Wrongs - vocals/guitar) SPB: Who does the majority of the band’s driving (is there a reason or a story as to why)? SDJ: When we play out of town, we usually split the driving, but if I had to choose who does it most, that … Read more

Post Office Experiences

Music • March 10, 2026

In a different world, which we think was shortly before COVID and MAGA and all things bad and in ALL CAPS occurred, Scene Point Blank had the idea to write a comprehensive piece about mailorder experiences from the people who dedicate their free time to sending you records, cds, tapes, … Read more

More from this section

Meth

One Question Interviews • March 18, 2026

Seb Alvarez (Meth) SPB: Is there a regional food you look forward to when you go on the road? Alvarez: Gravy lunch Read more

Remina

One Question Interviews • March 17, 2026

Heike (Remina) SPB: In the artwork of the last two releases (the EP Erebus and the album The Silver Sea) the black and white art is highlighted with a red accent. It feels like it is part of a story, is this the case? Heike: Throughout all the artworks, there … Read more

The Went Wrongs

One Question Interviews • March 16, 2026

Steven Douglas Jenkins (The Went Wrongs - vocals/guitar) SPB: Who does the majority of the band’s driving (is there a reason or a story as to why)? SDJ: When we play out of town, we usually split the driving, but if I had to choose who does it most, that … Read more