Sims
SPB: If you could get any producer you haven’t worked with to provide beats for a song, who would you pick?
Sims: If I could work with anyone I suppose it'd be Kanye West. I think he's one of the most talented composers in the world. His vision for how songs should build, layer, and decay is absolutely incredible. And I feel like he gets the best out of the people he's working with.
Runners up: Hudson Mohawke, DJ Shadow, DJ Quick
Constantin (General Chaos) SPB: What is a lesson you learned from the making-of your first album that directly influenced how you approached album #2? Constantin: I think when we came into studio the second time, we already had an idea of what to expect since we knew the studio and … Read more
Cory (Bat Leather) SPB: What is your favorite music-related film or documentary? Cory: It’s a tie between The Color of Noise and Some Kind of Monster. TCON is possibly the greatest snapshot of the ‘90s noise rock scene. Great interviews and amazing footage. SKOM….Love ‘em or hate ‘em, but watching … Read more
The musical landscape is ever changing. New genres are popping up, new hypes burst out of nowhere and die out and new bands present themselves to the world. How on earth are you expected to keep up, right? Well, it never hurts to help! So here we are, your humble … Read more
Here in Scene Point Blank Land, I sometimes get lost in the inbox of endless submissions and new music. I find things I like, but the great digital expanse still makes the records feel, well, a little too distant. Music is supposed to be personal, even if I'm not standing … Read more
It was about a year ago I discovered Unseemlier, shortly before the release of I Have A Screw Loose, Somewhere. It's a wordy title and a somewhat unwieldy band name -- and I’ll use that “a lot going on in a little space” metaphor even further to talk about the … Read more
Sims is something of a firebrand on his early work, spitting political vitriol and pointing fingers outward and in on records like Lights Out Paris and Bad Time Zoo. This time around, the Minneapolis rapper is looking even more inward on the new More Than Ever, a record that pushes expectation beyond the hard-hitting beats and spitfire lyricism with echo-y … Read more
Six years is a long time between a freshman and sophomore release. Granted, that length isn’t entirely accurate—Sims has been involved in a number of Doomtree records, from the False Hopes mixtape series to appearances on various crew records. Still, he has been patient as Doomtree has released solo records for nearly everyone else in the collective since 2005’s Lights … Read more
Lights Out Paris was one of my favorite releases of 2005, but as the Doomtree crew only has so much time and money on their hands, they rotate members' releases. Thus, it's taken Sims until 2009 to release a False Hopes (the Doomtree version of a mixtape). On #14, Sims has ten new songs to show his growth as an … Read more
Constantin (General Chaos) SPB: What is a lesson you learned from the making-of your first album that directly influenced how you approached album #2? Constantin: I think when we came into studio the second time, we already had an idea of what to expect since we knew the studio and … Read more
Cory (Bat Leather) SPB: What is your favorite music-related film or documentary? Cory: It’s a tie between The Color of Noise and Some Kind of Monster. TCON is possibly the greatest snapshot of the ‘90s noise rock scene. Great interviews and amazing footage. SKOM….Love ‘em or hate ‘em, but watching … Read more
Maria (Sacrosanta Decadencia Occidental – vocals/artist) SPB: The artwork of your album took over a year to make. What was this long experience like for you? Maria: If I were to put it shortly, the first thing that comes to mind is a long and winding road: exhausting but exciting … Read more
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