Nashville based Sol Cat independently released their first full length album on bandcamp in mid February. The indie and rock scene in Nashville is a well kept secret thanks to the city’s reputation for country music and being home of so many major labels, but you won’t find any country influences here. The nine track self-titled release is all chilled … Read more
Like Ghosts is the debut from Bristol based Sonance, a band so disgustingly heavy that they are currently drowning the car alarm that's been going off in my street for the past half hour. Writhing with sickness and masses of doomed out symphony, Sonance curl around the psyche with a terrifying grip and their tightly woven structures spin out into … Read more
There is a lot of productive ways to spend a pandemic lockdown: 1. Grow your own windowsill herb garden 2. Watch all the seasons of Law & Order and make note of how many episodes pass the Bechdel test (spoiler alert: it’s two). 3. Make an album with your mates. Ok, calling 1 and 2 “productive” is a bit of … Read more
Over this past summer, file-sharing fiends around the world rallied behind the leak of the new Girl Talk album. Everyone felt pretty suave for getting such a hyped item before its release date, although many were confused at how different the new album sounded. Unfortunately, soon after that they all found out that this leak wasn't Girl Talk at all, … Read more
Spires hail from Oakland, CA and deliver a punishing blend of hardcore, metal, and grindcore, not unlike like The Number 12 Looks Like You and Pig Destroyer. But unlike most bands of this spectrum of music, Spires infuse their chaos with moments of melody, including post-rock inspired moments. The first track, "Burnt Offerings of a Poor Idea" is a perfect … Read more
Remind me to kick myself for sleeping on this album, but in my defense, its description as a combination of hardcore and country presents two genres that don’t exactly have a Venn diagram of overlap. SpiritWorld is the solo project and brainchild of Stu Folsom, whose namesake Las Vegas hardcore band Folsom built the foundation of the LVHC scene in … Read more
Two piece bands seem to be gaining in popularity again, and it’s easy to see why from a musician’s perspective. The fewer people involved, the easier to organize, practice, and tour. There are duos done well (see Street Eaters) and lesser cases who aren’t getting the namedrop here. Spokenest is a newer project of similar ilk, bringing Adrian and Daryl … Read more
Stag is a two-piece sludge-metal outfit from Missouri. This self-released four-song EP is a definite homage to the likes of early Neurosis with doom metal experimentation here and there. The drumwork of Ash over the four songs is quite impressive as he unveils a wide variety of techniques. The guitars handled by Michael are thick as molasses, though he occasionally … Read more
Stella Dawes sent us a promo of Contrasts with a press sheet on which they wrote too much about themselves. In all honestly, it turned me off to their album before I even listened to the twelve songs. They say their influences are "Poison the Well, Underoath" and "'screamo' bands." Thankfully, the music isn't exactly what I anticipated. The vocals … Read more
Labels like Amphetamine Reptile and Skin Graft Records and the “now wave” and noise rock avalanche they launched has served as an immense source of inspiration for a myriad of bands. Listening to Stella Research Committee’s fifth LP, they do not only seem to be overly familiar with the output of the aforementioned label rosters, but have channelled those influences … Read more
Hailing from Seattle, Stencil comes with their debut album The Dead Lie Golden. They have touted themselves as an orchestral indie band which draws stylistically from established artists such as Elliott Smith, Sufjan Stevens, and Neutral Milk Hotel. Really now, if your band could successfully draw from all those artists, your band would be a musical juggernaut, maybe even revolutionary … Read more
I don't really know where to begin with this EP. Its groovy rock sensibilities throw back to 70's glam rock, but without the theatrics and clever satire. I don't think I get it. Part of me thinks it's intentionally a joke, while the other half of me believes it's to be taken seriously. I'm inclined to lean towards the former … Read more
Stoke Signals are an emo-punk hybrid. The band bears most of the marks of the midtempo, singalong gruff-vocal punk I enjoy. But with some song structure and lyrical patterns of the far more popular emo-rock style that took off some 20 years ago. And: live by emo, die by emo. It’s a genre that puts the lyrics front and center … Read more
Sliding down a KY Musk Moonbeam with Merlin firmly tucked into the back pocket. Quantum Leaps of 10 million years thrusting handfuls of melted Reese’s Pieces into your Pac Man gobbling, gobsmacked. gargantuan armchair self-proclaimed expert in all areas that cross your throbbing thrusting Billionaire rocket mindship. Hail the great Zrek! Welcome to the Apocalypse Generation. Get ready to engage … Read more
Raging, fast, poignant, and so on; any number of commonly used hardcore band descriptors would be apropos when talking about the sonic onslaught of Oxnard, CA's Stop Breathing. Lead vocalist John Crerar says, “I like to think of us as a cross between RKL and Gorilla Biscuits with a dash of D.R.I.” So there’s that for a frame of reference. … Read more
Stop this Fall performs a unique mix of melodic hardcore and punk. The closest contemporaries that come to mind are The Suicide File and With Honor, but even those are somewhat of a stretch. The songs are structured like the rock/hardcore hybrids that have become increasingly popular recently, but Stop this Fall still finds ways to incorporate more traditional aspects … Read more
At only four songs, Strategies’ debut EP is a quick play. The project is led by Paul Lask (The Ghost, Tight Phantomz), who created and sent demos to his longtime contemporaries, Brian Moss (The Ghost, Hanalei, Great Apes), and Neil Hennessy (The Lawrence Arms). The EP is wandering and explorative, building off the thoughtful post-hardcore influenced emo of the aforementioned … Read more
Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male … Read more
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