Tim Martinkøvixxx (Fast Break! Records – label manager)
SPB: What is the best pop song of the last 10 years?
Tim: I'm going to cite a track that I found wholly by accident but not, not entirely by design.. Independent music is where my heart lies, so an argument can be made for many tracks form many labels / artists / genres but I'm going to throw a pair of loaded dice and call your decade card at the X.
Artist: DANGER O's
Album: Little Machines © 2007
Track: Wolf In Sheeps Clothing
This track is the epitome of indie power pop, with a simple melodic guitar and bass driven open soaked in electric icing, all marching with a beat that drives us to a cliff where intertwined vocal melodies carry us as we fall through the sky into an chorus that drowns us in cascading and refracting neon light. It's a fun ride from beginning to end, and a brilliant execution of everything pop.
You (and Matthew Shipp) come from two different eras of the NY free jazz scene. What did you discover in your recording sessions, about either the past and the present of the scene?
Although there is twenty years between us and each era is different, there are very similar aspects. One is the level of commitment which was life or death back then and is the same now in Matthew. I feel two is that the need to adjust the system of the ‘60s was urgent. Personal freedom was on the line and young people were " dropping out," no matter what the risk, to express themselves and protest oppression of any kind. This is beginning to happen again now because of "45" etc, and as a result, conventional art (which can be beautiful and valid) is still too limited for these new urgent times.
Third, I could find the sound of the people I played with in the sixties in my drums! With the people I've recorded with lately, some are Ivo Perleman, Ras Moshe, Tyler Mitchell, and especially Matthew Shipp. I get their core sound deep in my drums...This is powerful, spiritual, vibrational therapy heading out into the planet. It seems to fill me with new restorative life energy: practical immortality, if you will.
Jason Navarro (Hellmouth, Suicide Machines)
SPB: You’ve released a trilogy of records. How has your original vision changed over the years it took for the releases to come to fruition?
Jason: Well, I never thought the trilogy would end on a more positive note. Which partially through the record it became personal and became a positive change in the way I look at myself and the world. Granted we do always tie in oroborus with most of our concept of the trilogy -- as applied every new beginning has to have and the final ending -- I just didn't know that we would see what the change should become with the third installment., I just figured it would be a complete negative end but, in all actuality, it became a positive thing.
The album cover which our sun dwarfing in becoming a black hole which will be the final say in the end of mankind because even after an apocalypse or war to end all wars man would more than like be doomed to repeat its mistakes. And do I repeat my mistakes myself personally, which is more what this album’s oblivion was about. This band and music has calmed me to the point I don’t need it anymore.
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