It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more
Iron Chic has its own kind of poetry. It’s not quite the Off With Their Heads level of self-hatred, but it’s highly self-deprecating to the point of feeling playful and overblown in its drama. Throughout the entire 11-song You Can’t Stay Here there are dozens of snippets I could grab to express this tone. "I’m a stone, you’re a featherJust … Read more
Since their inception, Iron Chic have had a steady rotation through out the years through my speakers and a special place in my heart. Following their full length debut, I was ready to have another album. It's finally arrived in the form of The Constant One, and it does not disappoint. Any fan of this band are going to find … Read more
The Arrivals have been a band for 30 years -- though they’ve made us wait 16 years for the follow-up to 2010’s Volatile Molotov. While a ton of time has passed and the band has moved, literally in some cases, and raised children in others, their sound is still the … Read more
Mike Bruno (Iron Chic, Adult Magic, Dead Broke Rekerds) SPB: What type of bass do you play and how did you choose it? Bruno: I play a Fender P-bass forever and always. I chose it because Mike Dirnt played one -- as well as every other great punk bassist. It's … Read more
Isaac Thotz (The Arrivals, Treasure Fleet) SPB: Have you ever hooked your dangling earrings on anything? Thotz: I've hooked them on countless things all over the universe that I'm unaware of; I've misplaced at least thirty or forty. I was down to one earring for about six months there a … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.
