Review
Austerity
Self Titled LP

Deathsmile (2010) Bob

Austerity – Self Titled LP cover artwork
Austerity – Self Titled LP — Deathsmile, 2010

After some blind stroke of luck and the whims of fate, I picked this cassette tape up along with another because I saw it was available and had heard some whispers about the sheer magnificence of this release on the world wide interwebs (a few cryptic reviews and blubbering nonsense about its amazing-ness had me intrigued at least and now here I am doing exactly the same thing) regarding this self titled album from Austerity (a literal one man band from Italy); now, even though the words registered in my thick head that these mysterious peoples on the other side of the phospherent glow had written in effusive praise, nothing prepared me for the sounds that hit me when I pressed play on my cassette deck.

A recent acquaintance of mine describes Austerity as “Perfect music for dark, snowy winter nights” and, quite frankly, that is far from baseless hyperbole because the stark soundscapes that flow unceasingly from the speakers brings a cold chill not unlike the winter wind blowing through the cracks in old door while a steady snow falls in the dark; the imagery that Austerity puts in one’s feeble and sleep deprived brain is entirely concrete and breathtakingly evocative (this seriously could cause someone to fall into a depressive morass because of how isolating it can make you feel, particularly if the volume is turned way up and no one else is in the house), but that is not the sheer limit of just what the music here does. The recording has a definite physical component that is astonishing because at times you can feel the kick drum in your chest (for instance during “Ad Nihil”) with a disconcerting rumble that almost rattles your entire chest cavity, and there are moments when the noises sound as though they are about to escape from the stereo and inhabit real space (again on “Ad Nihil”); but some of the more mood affecting moments come in other places like “Lacrime” (the beginning with the “choral” like vocals and the lonely piano just kill me) and the subtle howling wind sounds (even the vocals really sound like blowing wind rather than anything of a human origin) of “Nacht Und Morgenrohte”

Austerity wins with this album and so do people that search out this dark and brooding piece of music; this album will certainly see its fair share of spins (or cassette plays, but I do not know what kind of quick term to use to describe playing the cassette, well OK sure I could just say plays of the cassette but that sounds so pedestrian) while the winter months creep along at their glacial pace and my household maintains its snowy winter night revelries. Austerity is a great album (not a single bad track to be found here, not one could be skipped) to get lost in and zone out while listening to the crushing slabs of icy moodiness, and considering how cold and potentially depression causing the record is, you would almost swear that it came from some northern country with nothing to look at save frozen wastelands.

8.5 / 10Bob • March 7, 2011

Austerity – Self Titled LP cover artwork
Austerity – Self Titled LP — Deathsmile, 2010

Related features

The Austerity Program

One Question Interviews • November 17, 2013

Related news

Bible Songs 2 by The Austerity Program

Posted in Records on March 20, 2025

SPB featured stream: Caterwaul 2024

Posted in Site News on May 1, 2024

Caterwaul 2024 lineup (wave 1)

Posted in Shows on January 19, 2024

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more