Reviews of albums release in 2026

24 total reviews — Page 1 of 2

Awful Din

Anti Body
We’re Trying Records (2026)

There’s a certain honesty that only comes from bands who’ve spent years playing to half-filled rooms, basements with bad wiring, and bars where the PA is optional. ANTI BODY, the new LP from Brooklyn emo punks Awful Din, sounds like it was built in those spaces. Not as a gimmick, but as lived experience. This is a record that feels … Read more

Bitter Branches

Let's Give The Land Back To The Animals
Equal Vision (2026)

Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more

Dewey

Summer On A Curb
Howlin’ Banana Records (2026)

If you like your pop melodies wrapped in fuzz, your shoegaze grounded in real songwriting, and your records best experienced front-to-back on a quiet night, Dewey’s debut is absolutely worth your time. There’s something disarmingly unpretentious about Summer On A Curb. Dewey don’t arrive with a manifesto, a scene-policing attitude, or a sense of calculated cool. Instead, this Parisian quartet … Read more

DMZ

The Lost Studio Sessions-1978
Crypt Records (2026)

The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

Exhumed

Red Asphalt
Relapse (2026)

There are few bands in extreme metal who understand their own lane as well as Exhumed. For nearly three decades, Matt Harvey and company have made gore feel theatrical, technicality feel fun, and deathgrind feel almost celebratory. Red Asphalt doesn’t rewrite that formula but weaponizes it, straps it into the driver’s seat, and floors the accelerator straight into oncoming traffic. … Read more

Floating Boy

Perfect Place
Independent (2026)

Sarasota, Florida’s Floating Boy have been grinding for seven years, quietly shaping themselves into a band that lives and breathes the ethics of Fugazi (if you couldn’t tell by their track inspired name) and the emotional chaos of DIY punk. Their debut full-length, Perfect Place, is the culmination of that time. There are ten tracks of anxious, politically charged emo-punk/post-hardcore … Read more

Hoaxed

Death Knocks
Relapse (2026)

There’s a fine line between dark rock that feels theatrical and dark rock that feels transportive. On Death Knocks, Hoaxed land firmly in the latter. This is an album that doesn’t just flirt with atmosphere but commits to it fully, wrapping heavy riffs, melodic hooks, and occult-tinged drama into something that feels natural and not staged. Three years in the … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Mal Thursday Quintet

Mods & Gods
Chunk Archives Recordings, Teen Sound Records (2026)

Mods & Gods, the 2026 release from the Mal Thursday Quintet, is a full-throttle blast of Farfisa-driven energy and playful garage primitives. Mal Thursday has spent decades scraping the rust (which never sleeps) off the genre’s fuzz-soaked hemoglobin—nods to Sky Saxon, Roky Erickson, and Brian Jones are baked in. And yes, Mal has gotten around. Born in the thick of … Read more

Mariachi El Bronx

IV
ATO (2026)

As I review Mariachi El Bronx's latest album, IV I'm not going to pretend I'm well-versed in the deep cultural tradition that inspired The Bronx to adopt this project well outside of their fiery hardcore "main project." Instead, I'll grade it on "do I like it" merits. And I definitely dig the rhythmic and festival Latinx flavors. If you're familiar … Read more

Pacifist

Five
Independent (2026)

There’s a reason five doesn’t feel like just another EP title. This isn’t a casual release or a stopgap between bigger moves but a line in the sand. On their latest five song statement, Bombay’s Pacifist sound fully aware of the lineage they’re working within, and just as aware of how much effort it takes to keep those ideals alive … Read more

Pageant Mum

Finis Amoris Est
Red Tape Music (2026)

Breakup records usually announce themselves with a band. There is betrayal, shouting, and doors slamming shut. Finis Amoris Est, the new EP from UK post-hardcore outfit Pageant Mum, takes a different route. It’s a record about what happens after the blowup, when the noise dies down and you’re left alone with the quieter, harder questions. Across these four tracks, the … Read more

Pat Todd & The Rankoutsiders

After The Dolls
Heavy Medication Records (2026)

Pat Todd is a roots rock and roll incarnate — a relentless road dog, grinding it out night after night with his hot-as-buckshot band, The Rankoutsiders. His shows are raw, electric, and lived-in, a testament to decades on the road. With a career spanning over forty years, Todd has earned a reputation as one of the hardest-working men in the … Read more

Place Position

Went Silent
Blind Rage Records, Bunker Park, Poptek, Sweet Cheetah (2026)

There’s a certain kind of band that makes sense immediately once you see them live. Place Position is one of those bands. Before Went Silent ever landed on my speakers, I caught them at a show I played in Dayton, and they were the kind of band that quietly steals the night. There were no theatrics, no posturing, just total … Read more

Poison The Well

Peace In Place
Sharptone (2026)

There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it rewired how heaviness and vulnerability could coexist. And honestly, is … Read more

Pure Intention

Pure Intention
Independent (2026)

Pure Intentions is a hard hitting punk band first emerging in the Chicago scene in 2020. Since its formation by Joe Asshole and Tommy Volume, they have since added Judson Jones in 2024 to become its current standing trio. During that time, these guys have spread their gritty sound by touring the United States while gaining a strong following along … Read more