Review
Dark/Light
Dark Slash Light

Dirt Cult (2018) Loren

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.

As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots but has a restrained, pull-it-back and look inward vibe. It’s short and fast with fuzzy DIY-minded production, muddy bass, and that restrained energy. Candy’s vocals often establish the direction of the songs as the percussion delivers an anxious core. To me, “Rotting” is the best example of what they do. It’s only a minute and nine seconds, but it builds at the start, hits with a potent energy, and offers moving progressions that ebb, flow, and pummel quickly. Backing and subtle call-and-response vocals flesh it out even more and fuel that sense of urgency that’s behind the whole short-playing record.

While I’m summarizing the band’s sound a bit, this 7-inch shows range, mixing it up nicely within that fundamental style. “We Conjure Ghosts” has a darker vibe to it that’s less melodic and more atmospheric. In the next song, “Night Driving,” it continues to let the atmospheric tones leads the song while simultaneously keeping the same energy going. This is music that wears its emotions on its sleeve. Instead of vitriolic rage, it’s a more conflicted sense of frustration.

7.3 / 10Loren • February 4, 2019

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Related news

SPB exclusive: Dark/Light - Kill Some Time

Posted in Records on September 5, 2017

Recently-posted album reviews

PitchBlack

Walking on Burning Ground
Producciones Paganas (2025)

Formed in the mid-2000s, PitchBlack have always been one of Danish metal’s most overlooked heavy hitters. A band is sitting between old-school melodeath grit and European thrash aggression, building a reputation on intensity instead of trends. They debuted with Designed to Dislike in 2007, followed it with The Devilty in 2011 (which landed them spots at Copenhell and Download UK), … Read more

Speed

All My Angels EP
Flatspot Records, Last Ride Records (2025)

If you haven’t hopped on the SPEED train when they broke through, now is the time. The band formed in Sydney and blew past “local band” status the second the world caught up to what Australia already knew. BIPOC-fronted, community-driven, and fueled by the belief that hardcore is supposed to mean something. They went from DIY shows to global festivals … Read more

Anna von Hausswolf

Iconoclasts
Year0001 (2025)

One of the most distinct voices of the current generation, Anna von Hausswolff's sound is wide and far-reaching. From dark ambient atmospherics and organ music fixation, to noise rock momentum and neo-classical arrangements, her music always balances a primordial ritualism and contemporary applications. It is an ongoing process, one that Anna has been refining over the years. In 2018, the … Read more