Review
Dark/Light
Dark Slash Light

Dirt Cult (2018) Loren

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.

As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots but has a restrained, pull-it-back and look inward vibe. It’s short and fast with fuzzy DIY-minded production, muddy bass, and that restrained energy. Candy’s vocals often establish the direction of the songs as the percussion delivers an anxious core. To me, “Rotting” is the best example of what they do. It’s only a minute and nine seconds, but it builds at the start, hits with a potent energy, and offers moving progressions that ebb, flow, and pummel quickly. Backing and subtle call-and-response vocals flesh it out even more and fuel that sense of urgency that’s behind the whole short-playing record.

While I’m summarizing the band’s sound a bit, this 7-inch shows range, mixing it up nicely within that fundamental style. “We Conjure Ghosts” has a darker vibe to it that’s less melodic and more atmospheric. In the next song, “Night Driving,” it continues to let the atmospheric tones leads the song while simultaneously keeping the same energy going. This is music that wears its emotions on its sleeve. Instead of vitriolic rage, it’s a more conflicted sense of frustration.

7.3 / 10Loren • February 4, 2019

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Related news

SPB exclusive: Dark/Light - Kill Some Time

Posted in Records on September 5, 2017

Recently-posted album reviews

Eddy Current Suppression Ring

In Light Of Recent Events
Suppression Records (2026)

Australian Neo-proto-punk garagerockers ECSR released 11 new songs in May without much, if any, fanfare and not as some marketing or PR stunt but because they seem to actually give zero fucks. If anything they are making a bit of effort to curb their success which includes multiple award nominations on their home turf including the Australian Music Prize for … Read more

Swell Maps

C21
Tiny Global Productions (2026)

This isn't a hologram dancing, marionette corpse, tap-dancing nostalgia trip. It’s a jagged pill, a necessary taser jolt. Jowe Head-- one of the sole surviving architects of the original Solihull Syndicate -- just dropped a record handling legacy like a hot, glowing BTU ember. An organ grinder’s monkey's comeback? Completely antithetical to reality, this is a well-orchestrated calculation of intelligent … Read more

Silver Proof

Even If It Hurts
Independent (2026)

Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more