Review
Dark/Light
Dark Slash Light

Dirt Cult (2018) Loren

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.

As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots but has a restrained, pull-it-back and look inward vibe. It’s short and fast with fuzzy DIY-minded production, muddy bass, and that restrained energy. Candy’s vocals often establish the direction of the songs as the percussion delivers an anxious core. To me, “Rotting” is the best example of what they do. It’s only a minute and nine seconds, but it builds at the start, hits with a potent energy, and offers moving progressions that ebb, flow, and pummel quickly. Backing and subtle call-and-response vocals flesh it out even more and fuel that sense of urgency that’s behind the whole short-playing record.

While I’m summarizing the band’s sound a bit, this 7-inch shows range, mixing it up nicely within that fundamental style. “We Conjure Ghosts” has a darker vibe to it that’s less melodic and more atmospheric. In the next song, “Night Driving,” it continues to let the atmospheric tones leads the song while simultaneously keeping the same energy going. This is music that wears its emotions on its sleeve. Instead of vitriolic rage, it’s a more conflicted sense of frustration.

7.3 / 10Loren • February 4, 2019

Dark/Light – Dark Slash Light cover artwork
Dark/Light – Dark Slash Light — Dirt Cult, 2018

Related news

SPB exclusive: Dark/Light - Kill Some Time

Posted in Records on September 5, 2017

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more