Review
Einstürzende Neubauten
Alles in Allem

Potomak 2020 (2020) T

Einstürzende Neubauten – Alles in Allem cover artwork
Einstürzende Neubauten – Alles in Allem — Potomak 2020, 2020

It’s a fairly long story as to the exact circumstance, but a couple of years ago on a rainy winter day in Tasmania I found myself as the only passenger in a shuttle bus when just when we were about to depart, the door opened and three constituents of the Einstürzende Neubauten entered the vehicle.

While their World War I themed concept album Lament and its live incarnation was part of the conversation and with each member elaborating on their respective solo projects and other extracurricular engagements, there was no vestige or plans of recording new Neubauten material.

Needless to say that I was looking forward to Alles in Allem once word spread about the possibility of a new album in twelve years.

After a first spin, Alles in Allem proves to be an immensely enjoyable and effortless surprisingly melodic tour de force, thematically cantered around the theme of German’s capital and hometown of the band, i.e. Berlin.

Musically, Neubauten’s idiosyncratic layered soundscapes can be found compositionally soundly embedded and carried by their trademarked use of custom-made percussive sounds, around which Blixa Bargeld’s refined, velvety baritone and heartfelt delivery meanders around string and lush synth arrangements, while at all times anchoring the deliberately disorienting sonic fragmentations.

Alles in Allem is a fascinating album as it channels the DNA of what Neubauten has been known for for four decades, i.e. a conglomerate fuelled by a genuine interest in experimentalism, yet still manages to surprise without having to retreat to dissonance or being forcefully avant-gardist and modernist.


This is the refined version of Einstürzende Neubauten where less is more, contemplation reigns supreme, punctuated by melancholy, sorrow and tranquillity that is explored through Blixa’s evocative, ambiguous Dadaist prose.

While they have certainly become tamer and more accessible, there is something reassuring in a band of Einstürzende Neubauten’s calibre and iconic status to consistently evolve and create compulsively otherworldly music that provides a calming, codeine like consoling sonic blanket.

8.0 / 10T • July 14, 2020

Einstürzende Neubauten – Alles in Allem cover artwork
Einstürzende Neubauten – Alles in Allem — Potomak 2020, 2020

Related news

Einstürzende Neubauten conquers the solar system

Posted in Records on March 24, 2024

Einstürzende Neubauten guitarist album out on Sept. 23

Posted in Records on September 20, 2022

Full lineup at Dark Mofo 2017

Posted in Shows on April 9, 2017

Recently-posted album reviews

Crippling Alcoholism

Camgirl
Portrayal of Guilt Records (2025)

Crippling Alcoholism have always navigated a delicate balance between musical depth and immediacy. A blend that few bands attempt, let alone master, but Crippling Alcoholism's two previous full-length records, When The Drugs That Make You Sick Are The Drugs That Make You Better and especially With Love From A Padded Room did exactly that. With a foundation formed through post-punk … Read more

The Necks

Disquiet
Northern Spy (2025)

There are no signs of slowing down for Australian jazz masters The Necks. Following the release of the excellent Bleed in 2024, the legendary trio makes a return with their 20th full-length record, Disquiet. Long-form compositions are nothing new for the trio, but here they dive headfirst into a three-hour tour de force, traversing the abstract and meditative territories they … Read more

The Eradicator

You Can Hate The Eradicator
Independent (2025)

Is The Eradicator a joke that's been going for 10 years (the band), or for 35 (the skit)? Does it matter? Well, only in the sense that I question how much material the Kids In The Hall-inspired hardcore band can cull from a 5-minute skit. (Maybe 10 minutes. The character was revived in 2022's Season 6.) Why do I bring … Read more