Review
Einstürzende Neubauten
Alles in Allem

Potomak 2020 (2020) T

Einstürzende Neubauten – Alles in Allem cover artwork
Einstürzende Neubauten – Alles in Allem — Potomak 2020, 2020

It’s a fairly long story as to the exact circumstance, but a couple of years ago on a rainy winter day in Tasmania I found myself as the only passenger in a shuttle bus when just when we were about to depart, the door opened and three constituents of the Einstürzende Neubauten entered the vehicle.

While their World War I themed concept album Lament and its live incarnation was part of the conversation and with each member elaborating on their respective solo projects and other extracurricular engagements, there was no vestige or plans of recording new Neubauten material.

Needless to say that I was looking forward to Alles in Allem once word spread about the possibility of a new album in twelve years.

After a first spin, Alles in Allem proves to be an immensely enjoyable and effortless surprisingly melodic tour de force, thematically cantered around the theme of German’s capital and hometown of the band, i.e. Berlin.

Musically, Neubauten’s idiosyncratic layered soundscapes can be found compositionally soundly embedded and carried by their trademarked use of custom-made percussive sounds, around which Blixa Bargeld’s refined, velvety baritone and heartfelt delivery meanders around string and lush synth arrangements, while at all times anchoring the deliberately disorienting sonic fragmentations.

Alles in Allem is a fascinating album as it channels the DNA of what Neubauten has been known for for four decades, i.e. a conglomerate fuelled by a genuine interest in experimentalism, yet still manages to surprise without having to retreat to dissonance or being forcefully avant-gardist and modernist.


This is the refined version of Einstürzende Neubauten where less is more, contemplation reigns supreme, punctuated by melancholy, sorrow and tranquillity that is explored through Blixa’s evocative, ambiguous Dadaist prose.

While they have certainly become tamer and more accessible, there is something reassuring in a band of Einstürzende Neubauten’s calibre and iconic status to consistently evolve and create compulsively otherworldly music that provides a calming, codeine like consoling sonic blanket.

8.0 / 10T • July 14, 2020

Einstürzende Neubauten – Alles in Allem cover artwork
Einstürzende Neubauten – Alles in Allem — Potomak 2020, 2020

Related news

Einstürzende Neubauten conquers the solar system

Posted in Records on March 24, 2024

Einstürzende Neubauten guitarist album out on Sept. 23

Posted in Records on September 20, 2022

Full lineup at Dark Mofo 2017

Posted in Shows on April 9, 2017

Recently-posted album reviews

The Devil Wears Prada

Flowers
Solid State (2025)

Twenty years into the grind and The Devil Wears Prada haven’t lost their edge. However, in recent years, it’s a bit more refined and less jagged than their earlier release. The band’s latest release, Flowers, feels like their sharpest, most well-oiled bloom yet. From the opening track “That Same Place” to the closing “My Paradise”, this record is a reckoning. … Read more

DFMK

Playa Nuclear
Alternative Tentacles (2025)

DFMK have been playing since 2009, but Playa Nuclear is just their second full-length. It kicks off with exactly what I expect of the band in "Mi Rutina" -- a driving punk song with lots of high energy, guitar-driven bridges; Mr. Cap on vocals and doing near-splits between songs; and a general melodic flow that balances nervous energy with a … Read more

Action/Adventure

Ever After
Pure Noise (2025)

Chicago’s Action/Adventure have been grinding the pop-punk trenches since 2014. They have always played pop-punk like it still has something to prove because for them, it does. They went viral in 2020 on TikTok with their song “Barricades” by calling out the exact thing no one in the scene wanted to say out loud. The genre is full of white … Read more