Taken verbatim from the initial notes of the reviewer: Starts out promisingly enough with Derek Jay beating the snare like he just caught it pooching his wife. Same energy as early Metallica (hey kids! remember them?). Vocalist reminiscent of the Avenged Sevenfold dude. Christ, I hope he looks cooler.)
The song being referred to is the opening and title track "Shadows of Vanity". To call Hell Within the ultimate Headbanger's Ball band would not be a compliment. To say it should be the ultimate Headbanger's Ball band would be more apt, because as anyone who watches the show can attest to, it's become a not-so-delightful mélange of Ozzfest castoffs and sound-alikes that hardly has one rushing to the music shop to pick up the latest and greatest. Hell Within could very well be the next savior of heaviness. Crisp, suitable production, slightly above average vocals (possibly improved by a recent singer-sacking) minimal (yet sadly, still existent) breakdowns but surrounded by some of the best riffs this side of the last Exodus album make this one of the few albums you can really bust out the mosh to.