Review
In Flames
Come Clarity

Ferret (2006) Bob

In Flames – Come Clarity cover artwork
In Flames – Come Clarity — Ferret, 2006

In metal circles, In Flames need little introduction, if any at all. The once vaunted band was at the forefront of the "New Wave of Swedish Death Metal" invasion that produced masterpieces like Jester's Race, Whoracle, and Colony. The band has been on somewhat of a decline over the last several albums, culminating in the critically panned, ill received nu-metal influenced Soundtrack to Your Escape. Regardless of their recorded output's reception, the band continues to build a strong US fan base as well as expanding their worldwide base. This has led up to their signing with the US based Ferret (purveyors of MTV2-ready metalcore) for their latest album, Come Clarity.

Being heralded as a return to form for the band, Come Clarity blasts out of the gates with "Take This Life", the lead off single. It's fast, heavy, and hits the mark hard. Yes, the clean vocals are here, but they are nowhere near the whiny distraction that they had been previously. The keyboards add texture to the song without sapping any of the power. "Leaches" follows seamlessly with an odd keyboard part that remains on and off throughout the song. It is weird and does not make any sense in the makeup of the song - if you split this part out of the song, it would make an off the wall dance techno bit. It actually distracts from the song, which might be good otherwise. "Reflect the Storm" starts off well. I like the vocal's juxtaposition with the guitar melody as counterpoint. Anders Frieden's clean vocals seem to have become stronger and less whiny since Soundtrack to Your Escape. They actually carry a real nice melody in fact. "Dead On" turns up the speed and volume to start. It tricks the listener as the female vocals kick in out of nowhere. It works. Frieden's screams contrast nicely with the female vocals (provided by Lisa Miscovsky), which is a good thing considering how often bands fail at this type of effect. "Pacing Death's Trail" is a good song. It is heavy and has some great melodic guitar work going on, a real bright spot on Come Clarity. It is easily my favorite song on the album. It is short, sweet, and has elements of old time In Flames. "Our Infinite Struggle" also has an older In Flames feel. There are great dual guitars that pepper the song and the melody that they carry is good.

Yes, Come Clarity is a much stronger and powerful record than their previous album. There are definitely moments that hearken back to the In Flames sound of old that the older fans clamor to hear. It is also a progression for the band, which is important for them, especially after their lengthy career at this point. Ferret might actually help them a great deal in gaining new fans. It sounds like what it is, a fresh start for them on a new label.

6.8 / 10Bob • March 16, 2006

In Flames – Come Clarity cover artwork
In Flames – Come Clarity — Ferret, 2006

Related news

In Flames Ink With Century Media

Posted in Labels on March 28, 2011

In Flames To Enter The Studio

Posted in Records on October 5, 2010

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more