Review
Lionize
Superczar and the Vulture

Pentimento Music (2011) Sarah

Lionize – Superczar and the Vulture cover artwork
Lionize – Superczar and the Vulture — Pentimento Music, 2011


I rarely listen to music that isn't at least fifteen minutes long per song or lacks internal movement titles, so when I received Lionize's Superczar and the Vulture, understand I was stepping pretty far outside of my normal purview--I was pretty much giving this album a chance based on the incredibly intriguing title alone. Much to my surprise, I wound up greatly enjoying it.

Lionize play this particular variety of loose and free-form alternative rock that makes them sound like a Phish-esque jam band sans the jams. Between that and the very overt reggae and ska influences, it all adds up to one album that's incredibly laid-back and smooth. It's like lounging with your feet up with a martini in one hand, a pulp novel in the other, and a masseuse rubbing your bare feet.

And it's not just the kicked-back aesthetic that makes this album so casual; you can tell from the lyrics and the song titles that the band is just here to have a good time, and they want you to join in on it, too. If “Walking Away (From Explosions Unscathed)” or “Shameless Self Promoter” don't tip you off to how silly this band can be, then there's no helping you. Granted, they can cross over into somewhat lazy songwriting territory on occasion (“Machu Piccu” stands out for having some pretty bad lyrical choices), but in general these moments are few and far between.

Keep in mind, when I said that they lacked the jams, I didn't mean to imply that there wasn't any fantastic soloing to be found. Far from it; there are plenty of juicy solos to go around, as can be heard during the guitar shreds on “Dr. Livingston”, the moderately extended soloing on “Trustafarian”, and the ridiculous drum solo that leads into “Vessel”. That's all not to mention the incredible brass duel on “Superczar”, which, while very short, nonetheless blew me out of my seat, as well as the instrumental “Self Propelled Experience Approximator”, which is brimming with bright flair and flash.

Though, admittedly, the music isn't particularly new in any way, it has enough meat to it that a lot of that can be forgiven. It's still an incredibly solid album, and what it lacks in originality it more than makes up for with sheer suaveness. If you're looking for some chill, slightly jammy rock, then Lionize have got you covered. Superczar and the Vulture, while not my usual fare, nonetheless left me satisfied with its saucy grooves, not to mention being incredibly fun all along the way. This is definitely a worthwhile album.

7.0 / 10Sarah • May 28, 2012

See also

lionizemusic.com

Lionize – Superczar and the Vulture cover artwork
Lionize – Superczar and the Vulture — Pentimento Music, 2011

Related news

Larry and His Flask and Lionize cancel tour

Posted in Tours on October 23, 2011

Recently-posted album reviews

SUB/SHOP

Democatessen
Independent (2025)

Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are now choosing precision over spectacle. Across six tracks, Sub/Shop delivers … Read more

Guerilla Teens

I Cyclops / Pride of the Savanna-7"
Heavy Medication Records (2024)

One-eyed wind-up dancing eyeballs boppin' and weavin' with Scott "Deluxe" Drake and Jeff Fieldhouse from the one and only and never replicated the almighty "The Humpers". I was lucky to see them back in the 90's in Toronto at a hot, sweaty club in the dead of summer, back when there was a blue hue of cigarette smoke, a faint … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more