Review
Mr. Bungle
The Raging Wrath of the Easter Bunny

Ipecac (2020) Kevin Fitzpatrick

Mr. Bungle – The Raging Wrath of the Easter Bunny cover artwork
Mr. Bungle – The Raging Wrath of the Easter Bunny — Ipecac, 2020

When Mr. Bungle announced their first shows in nearly 20 years last August, fans worldwide rejoiced that their beloved Bungle had finally awoken after laying dormant for almost 20 years.

But just like their 3 full-length albums, nothing is ever predictable, and details soon emerged that this would not be the funhouse Mr. Bungle of the self-titled album. Nor would it be the dark electronics of Disco Volante. Hell, it wouldn’t even be the light summer breeze of California.

No, these live shows would be a revisiting of their first thrash metal demo dating all the way back to 1986. The legendary demo known as The Raging Wrath of the Easter Bunny.

To pull this off would be no mean feat. Bungle members have scattered to the four winds over the last couple decades, so the core of the band, vocalist Mike Patton, bassist Trevor Dunn and guitarist Trey Spruance hit up a couple of genre ringers to help them out. The first was an easy get. Slayer veteran Dave Lombardo has been a Patton partner-in-crime for over 20 years, working together in bands like Fantômas and Dead Cross. The second guitarist was more of a shot in the dark, which thankfully hit the mark and Anthrax’s Scott Ian became the final piece of the puzzle.

Well, the shows sold out in a matter of minutes and went off without a hitch in February of this year. They became for many folks, their last show before the Covid Curtain came crashing down on every venue in the country.

Thankfully, these shows were not the final chapter in the story and Bungle went into the studio to re-record the demo with the new lineup. For any of you familiar with the original demo, there was a desperate need of a sonic upgrade. After all, a bunch of teenage miscreants roaming the streets of Eureka, California couldn’t be expected to have Johnny Z produce their demo, could they?

So here we are, 34 years later and Wrath now sounds fresh-as-a-fucking-daisy. Ian and Spruance trade off licks well, with Ian showing why he’s still one of the best rhythm guitarists in the biz. “Raping Your Mind”, “Anarchy Up Your Anus”, “Spreading the Thighs of Death”, all sound just like being back in high school behind the smoke hut with the boom box. It’s clear from the outset that they’re all having a blast. It’s a beautiful improvement on the original demo complete the Disney Haunted House samples first used in 1986 and recreated with narrative help of actress Rhea Perlman (Pattonphiles will get this connection). But anyone familiar with Patton, Spruance and Dunn know that these guys don’t do anything for nostalgia’s sake. Think of Sam Raimi’s Evil Dead trilogy. Each film essentially a new and improved remake of itself. So if the original demo is the first tiny budget Evil Dead, consider this the Army of Darkness version.


*If you, like me, was one of the poor bastards who missed out on the live shows, you have one last chance on October 31st with a very special, ultra-spooky, pretty gory and most likely satan-invoking virtual concert experience billed as “The Night They Came Home”. Tickets and merch bundles can be found here:
http://www.mrbungle.live

Mr. Bungle – The Raging Wrath of the Easter Bunny cover artwork
Mr. Bungle – The Raging Wrath of the Easter Bunny — Ipecac, 2020

Related news

King Dunn coming

Posted in Tours on January 28, 2024

Mr. Bungle resumes touring

Posted in Tours on January 24, 2024

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more